This volume was first published by Inter-Disciplinary Press in 2016. We are captivated by the monstrous. The monstrous encapsulates a variety of emotions, actions, behaviors, and re-sponses. In general usage it draws attention to the physicality of bodies, the fear and repulsion that have so often driven societal response, and the marginal status of those defined by such terms. Monstrous geographies draw on the unease and uncanniness at the core of the monstrous while shifting the consideration from bodies to places and spaces, away from corporeality and toward the sites or landscapes within which bodies move; away from the mon-strous form of a creature like the Yeti and toward the environment in which the Yeti thrives, an environment that must be monstrous to produce and sustain such a being. Considering such geographies allows for a nuanced under-standing of the places, both real and imagined, subtle and fantastic, that make up our world.

Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a “cult” filmmaker, whose films are surreal, hallucinatory, and provocative. The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.

Monsters fascinate. But the place where monsters dwell, or monstrous acts grow or are carried out, also evokes our profound curiosity. Set apart from humanity while holding up a mirror to it, the monster always lurks in the margins, be they geographical, political, social, or metaphorical. This book explores spatial monstrosities - especially around the boundaries. From portrayals of hostile nature that bear witness to the ways in which history and conflict haunt the imaginations and memory of nations, to the disturbing idea of the monster within, burrowed deep inside houses, secretly dwelling in gardens and miscroscopic places, and most terrifyingly, in our own bodies and souls. Each chapter contributes a distinct voice to notions of politics of space, aesthetics of space, intimacies of space and ethics of space. These are the places where the first shadow of darkness is cast among us, and it is indeed monstrous.

Melancholy is a critical part of what it is to be human, yet everything from Prozac to self-help books seems intent on removing it from existence. A Field Guide to Melancholy surveys this ambivalent concept. Melancholy is found in historic traditions, and in contemporary society it becomes a fashion statement in the subculture of the Emo. Still, shelves are full of books claiming to help us overcome it. By drawing on a range of disciplines from psychology to design, this book provides a deeper look at one of the most elusive and enigmatic of human conditions.

A book about despair, climate change, zombie films, multiple apocalypses, the everyday, city-dwelling, zombies, walking and walk-performance, imperialism, sex, zombie literature, refugees, popular culture and zombies.

Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.