'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.

Immortal verses by one of the 20th century's greatest poets appear in this compilation of all the poems from The Wild Swans at Coole (1919) and Michael Robartes and the Dancer (1921). Includes "The Second Coming," "A Prayer for My Daughter," "An Irish Airman Foresees His Death," and many others.

Townshend traces the dramatic events of the Easter Rebellion in Dublin in 1916, the actions and aims of the rebels, the British response to the revolt and the consequences, politically and culturally, of the uprising.

The Easter Rising of 1916 not only destroyed much of the centre of Dublin - it changed the course of Irish history. But how did it achieve this? What role did people from ordinary backgrounds play in the making of the Irish revolution and what motivated them to take part in it? What did the rebels think they could achieve? And what kind of a republic were they fighting for? These basic questions continue to divide historians of modern Ireland. The Rising is the story of Easter 1916 from the perspective of those who made it, focusing on the experiences of rank and file revolutionaries - a story now told for the first time. To do this, Fearghal McGarry makes use of a unique source that has only recently seen the light of day - a collection of over 1,700 eye-witness statements detailing the activities of members of Sinn Féin, the Irish Republican Brotherhood, Cumann na mBan, and the Irish Volunteers at the time of the Rising. This collection represents one of the richest and most comprehensive oral history archives devoted to any modern revolution, providing new insights on almost every aspect of this seminal period. Using this unique source, McGarry shows how people from ordinary backgrounds became politicized and involved in the struggle for Irish independence in the early years of the twentieth century. He illuminates their motives and aspirations and highlights the importance of the Great War as a catalyst for the uprising. He concludes by exploring the Rising's revolutionary aftermath, which saw the creation of an Irish parliament, Dáil Éireann, and the Irish Republican Army's armed campaign to win independence.

Children of the Rising is the first ever account of the young lives violently lost during the week of the 1916 Rising: long-forgotten and never commemorated, until now. Boys, girls, rich, poor, Catholic, Protestant - no child was guaranteed immunity from the bullet and bomb that week, in a place where teeming tenement life existed side by side with immense wealth. Drawing on extensive original research, along with interviews with relatives, Joe Duffy creates a compelling picture of these forty lives, along with one of the cut and thrust of city life between the two canals a century ago. This gripping story of Dublin and its people in 1916 will add immeasurably to our understanding of the Easter Rising. Above all, it honours the forgotten lives, largely buried in unmarked graves, of those young people who once called Dublin their home.

We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?... Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of the insurrection appeared to me. This method of analyzing historical event as if it were a work of art is not altogether as inappropriate as it might seem when the historical event happens to be a revolution. The Irish revolutionaries lived as if they were in a work of art, and this inability to tell the difference between sober reality and the realm of imagination is perhaps one very important characteristic of a revolutionary. The tragedy of actuality comes from the fact that when, in a revolution, history is made momentarily into a work of art, human beings become the material that must be ordered, molded, or twisted into shape. (from the preface)