Dutch Moderne examines a little-charted genre of Dutch graphic design during the 20's and 30's. The stylistic movements of the period - from De Stijl to art deco - played a vital role in bringing the concepts of the modern movement into the commercial world. A synthesis of cubist and ancient Egyptian and Mayan forms, art deco quickly spread throughout post-World War I France, Germany, England, Italy, and Eastern Europe before appearing in Holland. And yet despite its comparatively late start, Dutch designers enthusiastically embraced the style for its contemporary feel, elegance, and streamlined aesthetic as an alternative to staid traditional and outrageous revolutionary graphic approaches. The style influenced virtually all forms of Dutch commercial art, from magazines, newspapers, and posters to trademarks and advertisements. Dutch Moderne features over 500 of these designs, many of which have never before been published in the United States, by scores of designers both renowned and anonymous. These unearthed artifacts of Dutch commercial design reveal the rich legacy of an indigenous style. This book is an essential resource for graphic designers, students of design, and pop culture history aficionados alike.

Abraham Kuyper is known as the energetic Dutch Protestant social activist and public theologian of the 1898 Princeton Stone Lectures, the Lectures on Calvinism. In fact, the church was the point from which Kuyper's concerns for society and public theology radiated. In his own words, ''The problem of the church is none other than the problem of Christianity itself.'' The loss of state support for the church, religious pluralism, rising nationalism, and the populist religious revivals sweeping Europe in the nineteenth century all eroded the church's traditional supports. Dutch Protestantism faced the unprecedented prospect of ''going Dutch''; from now on it would have to pay its own way. John Wood examines how Abraham Kuyper adapted the Dutch church to its modern social context through a new account of the nature of the church and its social position. The central concern of Kuyper's ecclesiology was to re-conceive the relationship between the inner aspects of the church—the faith and commitment of the members—and the external forms of the church, such as doctrinal confessions, sacraments, and the relationship of the church to the Dutch people and state. Kuyper's solution was to make the church less dependent on public entities such as nation and state and more dependent on private support, especially the good will of its members. This ecclesiology de-legitimated the national church and helped Kuyper justify his break with the church, but it had wider effects as well. It precipitated a change in his theology of baptism from a view of the instrumental efficacy of the sacrament to his later doctrine of presumptive regeneration wherein the external sacrament followed, rather than preceded and prepared for, the intenral work grace. This new ecclesiology also gave rise to his well-known public theology; once he achieved the private church he wanted, as the Netherlands' foremost public figure, he had to figure out how to make Christianity public again.

An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.

This volume contains a selection of essays presented at the international conference of Cultural Crises in Art and Literature, held in Groningen in November 2002, in special sessions concerning modern Dutch literature. The recent decennia have shown a gradual transition in Netherlandic Studies towards new scopes: a contextual orientation of literature and the reception of 'Theory'. The contributions to this volume touch upon the theme of cultural crises from the perspective of these frameworks, approaching topics like the interrelation of literary representation and historical and medical discourse concerning the obsession by dirt, contamination, and dust; the impact of nationalism and humanism (in the political field) on literary education; the decline of modernism, resulting in the changing position of women authors, the rise of children's literature and the reassessment of 'low' genres like melodrama. A brief outline of the development of the study of modern Dutch literature opens this volume, the presentation of a general theoretical and methodological framework for conceptualizing the notion of cultural crisis concludes it.

(Reis)gids voor moderne Nederlandse architectuur waarin ruim 700 objecten worden afgebeeld en beknopt beschreven.