It wasn't until after Dumitru Tsepeneag fled Romania for France in 1971 that he was able to speak frankly about the literary movement that he had helped create.

This volume offers critical perspectives on memories of political and socioeconomic ‘transitions’ that took place between the 1970s and 1990s across the globe and that inaugurated the end of the Cold War. The essays respond to a wealth of recent works of literature, film, theatre, and other media in different languages that rethink the transformations of those decades in light of present-day crises. The authors scrutinize the enduring silences produced by established frameworks of memory and time and explore the mnemonic practices that challenge these frameworks by positing radical ambivalence or by articulating new perspectives and subjectivities. As a whole, the volume contributes to current debates and theory-making in critical memory studies by reflecting on how the changing recollection of transitions constitutes a response to the crisis of memory and time regimes, and how remembering these times as crises renders visible continuities between this past and the present. It is a valuable resource for academics, students, practitioners, and general readers interested in exploring the dynamics of memory in post-authoritarian societies.

In what ways does political trauma influence the art arising from it? Is there an aesthetic of war and exile in theatrical works that emerge from such experiences? Are there cultural markers defining such works from areas like Eastern Europe and Israel? This book considers these questions in an examination of plays, performances and theater artists that speak from a place of political violence and displacement. The author's critical inquiry covers a variety of theatrical experimentations, including Brechtian distancing, black humor, pastiche, surreal and hyper-real imagery, reversed chronologies and disrupted narratives. Drawing on postmodern theories and performance studies as well as interviews and personal statements from the artists discussed, this study explores the transformative power of the theater arts and their function as catalysts for social change, healing and remembrance.

In the late-1960s Romania, during the relative cultural thaw of the post-Stalinist period, Dumitru Tsepeneag emerged as an innovative writer of short prose and the pioneer of oneirism, a subversive theory and practice of literature that challenged not only socialist realism in particular but realism in general. By the early 1970s, following a cultural crackdown by the totalitarian state, oneirism had been banned and Tsepeneag was forced into exile in France. Short Prose, Volume 1, collects the three volumes of short stories that Tsepeneag published in Romania before going into exile: Exercises (1966), Cold (1967), and Waiting (1971), along with previously unpublished shorter texts from the same period.

A history of the Romanian people which seeks to make intelligible their aspirations, achievements and plight. The author, who died in 1988, had been for many years the Director of the Romanian Radio Service for Europe.

The author's first novel, experimental in structure, which explores the themes of sexuality and polygamy.