In 1964, Patricia MacKay immigrated to Canada from England in search of the wild-open lands and cowboy culture that captivated her as a child. In the 1960s, the Wild West was still alive and kicking in the Cariboo-Chilcotin, although it had been tamed--a little. Old-time hospitality and helping anyone in need was the acknowledged way of life. Pat learned the Cariboo-Chilcotin way of life first hand by spending her summers working on guest ranches and finding other jobs to keep her occupied during the winter. From learning how to cook on the job to kitchen disasters and successes, roundups, branding, square dances and falling in love, she slowly gained acceptance into the tight-knit communities of BC's Interior. Ranching meant long hours, hard work, and a lifestyle all its own. Entertainment was homemade. There were rodeos, dances, and music around campfires in the summer and ice hockey, tobogganing, and parties in the winter. Sadly, that way of life is gradually disappearing, but this book relives the way things were between 1964 and 1976; it tells of a unique brand of people from a variety of backgrounds who made this part of the west their home.

In 1964, Patricia MacKay immigrated to Canada from England in search of the wild-open lands and cowboy culture that captivated her as a child. In the 1960s, the Wild West was still alive and kicking in the Cariboo-Chilcotin, although it had been tamed—a little. Old-time hospitality and helping anyone in need was the acknowledged way of life. Pat learned the Cariboo-Chilcotin way of life first hand by spending her summers working on guest ranches and finding other jobs to keep her occupied during the winter. From learning how to cook on the job to kitchen disasters and successes, roundups, branding, square dances and falling in love, she slowly gained acceptance into the tight-knit communities of BC’s Interior. Ranching meant long hours, hard work, and a lifestyle all its own. Entertainment was homemade. There were rodeos, dances, and music around campfires in the summer and ice hockey, tobogganing, and parties in the winter. Sadly, that way of life is gradually disappearing, but this book relives the way things were between 1964 and 1976; it tells of a unique brand of people from a variety of backgrounds who made this part of the west their home.

Presents informative, straightforward answers to the most-asked questions. Covers all the crucial issues that teenage girls are faced with.

This is the first book-length study of the popular novelist Tom Robbins. Whimsy and humor characterize Robbins' work, but style and language are the keystones. Hoyser and Stookey show how Robbins deftly uses style and humor to depict the absurdities and injustices of our world. His novels constantly challenge perceptions of the world that people automatically label as normal. His fiction criticizes the complacency of humans in a world becoming increasingly alienated from nature and the joy of life. In addition to a critical analysis of each of his novels, the study contains biographical material never before published and the first full-length bibliography on Robbins, including a bibliography of reviews of his fiction. This is the first book-length study of the popular novelist Tom Robbins. Whimsy and humor characterize Robbins' work, but style and language are the keystones. Hoyser and Stookey show how Robbins deftly uses style and humor to depict the absurdities and injustices of our world. His novels constantly challenge perceptions of the world that people automatically label as normal. His fiction criticizes the complacency of humans in a world becoming increasingly alienated from nature and the joy of life. In addition to a critical analysis of each of his novels, the study contains biographical material never before published and the first full-length bibliography on Robbins, including a bibliography of reviews of his fiction. The study features a biographical chapter, a chapter on context and style, and individual chapters on each of his novels, ^IAnother Roadside Attraction^R, ^IEven Cowgirls Get the Blues, Still Life with Woodpecker, Jitterbug Perfume, skinny legs and all^R, and ^IHalf Asleep in Frog Pajamas^R. Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Hoyser and Stookey define and apply an alternative critical perspective from which to read each novel. The reading of each of Robbins' novels will be enriched by this perceptive study.

An NPR Best Book of the Year A Vanity Fair Best Summer Read "A haunting, mind-bending memoir. . . . riveting." —New York Times "A mixture of biography and true crime, this narrative . . . offers more plot twists, shocking revelations and shady characters than most contemporary thrillers." —NPR The Book of Atlantis Black will have you questioning facts, rooting for secrets, and asking what it means to know the truth. A young woman is found dead on the floor of a Tijuana hotel room. An ID in a nearby purse reads “Atlantis Black.” The police report states that the body does not seem to match the identification, yet the body is quickly cremated and the case is considered closed. So begins Betsy Bonner’s search for her sister, Atlantis, and the unraveling of the mysterious final months before Atlantis’s disappearance, alleged overdose, and death. With access to her sister’s email and social media accounts, Bonner attempts to decipher and construct a narrative: frantic and unintelligible Facebook posts, alarming images of a woman with a handgun, Craigslist companionship ads, DEA agent testimony, video surveillance, police reports, and various phone calls and moments in the flesh conjured from memory. Through a history only she and Atlantis shared—a childhood fraught with abuse and mental illness, Atlantis’s precocious yet short rise in the music world, and through it all an unshakable bond of sisterhood—Bonner finds questions that lead only to more questions and possible clues that seem to point in no particular direction. In this haunting memoir and piercing true crime account, Bonner must decide how far she will go to understand a sister who, like the mythical island she renamed herself for, might prove impossible to find.

Travels With Mary…Mary and Me By: V. L. French Two very young women, barely out of their teens with three daughters each, divorced, never having enough money, partaking of food stamps, living in the slums of suburban Pittsburgh: what could possibly go wrong? Find out in this uplifting, funny, and at times, frightening, tale about two young women very determined to survive and succeed. This book is, for the most part, many funny stories lovingly stitched together to make a warm quilt of laughter with only a few tears and fears. It is an attempt to tell the tale of two very young women trying to make their lives and the lives of their six daughters better while living in cruel poverty. Their wits helped to pull them through. Their sense of humor helped to sustain them. It tells the reason why they were forced into this life of coping with food stamps, less than adequate vehicles, and never enough money in their struggle to survive and succeed. But it has many moments of hilarity too. The hope is that this book will illustrate that one never has to settle for what may seem like an unfortunate destiny. You needn’t be stuck in a seemingly hopeless situation if you are determined to change that path and make your life better. The story continues with how their paths go in very different directions later.

Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman’s Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story—like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman’s Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.