"While drowning in the sea of sound, " writes Al Young, "my whole life passes before me." These memoirs, essays, and informed vignettes tap into the evocative powers of music and song. On this thoroughly original, lyricized voyage through time and timelessness, jazz, blues, pop, country and western, classical, and Latin traditions get deliciously replayed and reborn in Al Young's heart and musical psyche. Drowning in the Sea of Love contains Young's previously uncollected take on blues legend Robert Johnson, as well as selections from his three popular underground collections, Bodies & Soul, Kinds of Blue, and Things Ain't What They Used to Be. This exciting, music-triggered autobiography vibrates with intimacy and soul.

New love. Exotic destinations. A once-in-a-lifetime adventure. What could go wrong? City girl Torre DeRoche isn't looking for love, but a chance encounter in a San Francisco bar sparks an instant connection with a soulful Argentinean man who unexpectedly sweeps her off her feet. The problem? He's just about to cast the dock lines and voyage around the world on his small sailboat, and Torre is terrified of deep water. However, lovesick Torre determines that to keep the man of her dreams, she must embark on the voyage of her nightmares, so she waves good-bye to dry land and braces for a life-changing journey that's as exhilarating as it is terrifying. Somewhere mid-Pacific, she finds herself battling to keep the old boat, the new relationship, and her floundering sanity afloat. . . . This sometimes hilarious, often harrowing, and always poignant memoir is set against a backdrop of the world's most beautiful and remote destinations. Equal parts love story and travel memoir, Love with a Chance of Drowning is witty, charming, and proof positive that there are some risks worth taking.

A critically acclaimed debut from an award-winning writer—an epic family saga set against the magic and the rhythms of the Virgin Islands. In the early 1900s, the Virgin Islands are transferred from Danish to American rule, and an important ship sinks into the Caribbean Sea. Orphaned by the shipwreck are two sisters and their half brother, now faced with an uncertain identity and future. Each of them is unusually beautiful, and each is in possession of a particular magic that will either sink or save them. Chronicling three generations of an island family from 1916 to the 1970s, Land of Love and Drowning is a novel of love and magic, set against the emergence of Saint Thomas into the modern world. Uniquely imagined, with echoes of Toni Morrison, Gabriel García Márquez, and the author’s own Caribbean family history, the story is told in a language and rhythm that evoke an entire world and way of life and love. Following the Bradshaw family through sixty years of fathers and daughters, mothers and sons, love affairs, curses, magical gifts, loyalties, births, deaths, and triumphs, Land of Love and Drowning is a gorgeous, vibrant debut by an exciting, prizewinning young writer.

New philosophical essays on love by a diverse group of international scholars. Topics include contributions to the ongoing debate on whether love is arational or if there are reasons for love, and if so what kind; the kinds of love there may be (between humans and artificial intelligences, between non-human animals and humans); whether love can explain the difference between nationalism and patriotism; whether love is an necessary component of truly seeing others and the world; whether love, like free will, is “fragile,” and may not survive in a deterministic world; and whether or not love is actually a good thing or may instead be a force opposed to morality. Key philosophers discussed include Immanuel Kant, Iris Murdoch, Bernard Williams, Harry Frankfurt, J. David Velleman, Niko Kolodny, Thomas Hurka, Bennett Helm, Alfred Mele and Derk Pereboom. Essays also touch on the treatment of love in literature and popular culture, from Graham Greene’s The End of the Affair to Spike Jonze’s movie her.

The First Eighty Love Letters are short romances written by Reza Taheri Bashar, portrays Reza's real, amazing, and glorious love for the beautiful Faren with poetry, short plays, literary writing, humor, and comedy. Story: Eighty short real love letters to the beautiful Faren who ignored Reza stubbornly and left. Eighty short real love letters to the beautiful Faren who didn't join Reza in this great love story. Eighty letters of a Bone-burning and tormenting love that turns the mountain into dust and ashes and breaks all hearts. Eighty kinds of efforts, eighty kinds of struggling and failing. Sweet storyteller of not being able and trying. Narrator of wanting and not being able. The story of a pure love And that's it. Who do we recommend to read this book? Those for whom literature and poetry are important. Those who have tasted the pain of love. Those who are heartbroken, those who have understood that really love is not possible. Those who are in love with love. Those who are tired of old love stories and want fresh air. These romances are a breath of fresh air.

The title of Dr. Harris' book suggests that life is like a two-sided coin: it can be an Ocean of Love but can also be a Sea of Troubles. The subtitle clarifies this paradox: first, there are many signs of God's reality and activity in the world, and the first section of the book examines ways in which people are aware of God as both a creative and immanent presence in life. The "signs" of God are not philosophical "proofs" but empirical realities accessible to all people. In the second section, the biblical responses to suffering in the world are explored--through both Old and New Testaments. In the third section the writings of two modern apologists, C. S. Lewis and Philip Yancey, are assessed, and then finally there is a chapter of interviews with people who have known suffering in their lives.

Miguel de Cervantes conceived his final work, The Labours of Persiles and Sigismunda: A Northern Story (1617), as a great prose epic that would accomplish for its age what Homer and Virgil had done for theirs. And yet, by the eighteenth century Don Quixote had eclipsed Persiles in the favour of readers and writers alike and the later novel is now virtually forgotten except by specialists. This study sets out to help restore Persiles to pride of place within Cervantes's corpus by reading it as the author's summa, as a boldly new kind of prose epic that casts an original light on the major political, religious, social, and literary debates of its era. At the same time it seeks to illuminate how such a lofty and solemn ambition could coexist with Cervantes evident urge to delight. Grounded in the novel's multiple contexts - literature, history and politics, philosophy and theology - and in close reading of the text, Michael Armstrong-Roche aims to reshape our understanding of Persiles within the history of prose fiction and to take part in the ongoing conversation about the relationship between literary and non-literary cultural forms. Ultimately he reveals how Cervantes recast the prose epic, expanding it in new directions to accommodate the great epic themes - politics, love, and religion - to the most urgent concerns of his day.