#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World). “Quite extraordinary.”—Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance. Praise for Dreams from My Father “Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride’s The Color of Water and Gregory Howard Williams’s Life on the Color Line as a tale of living astride America’s racial categories.”—Scott Turow “Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither.”—The New York Times Book Review “Obama’s writing is incisive yet forgiving. This is a book worth savoring.”—Alex Kotlowitz, author of There Are No Children Here “One of the most powerful books of self-discovery I’ve ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel.”—Charlayne Hunter-Gault, author of In My Place “Dreams from My Father is an exquisite, sensitive study of this wonderful young author’s journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white.”—Marian Wright Edelman

Warm, wise, and magical—the latest novel by the bestselling author of THE LITTLE PARIS BOOKSHOP and THE LITTLE FRENCH BISTRO is an astonishing exploration of the thresholds between life and death Henri Skinner is a hardened ex-war reporter on the run from his past. On his way to see his son, Sam, for the first time in years, Henri steps into the road without looking and collides with oncoming traffic. He is rushed to a nearby hospital where he floats, comatose, between dreams, reliving the fairytales of his childhood and the secrets that made him run away in the first place. After the accident, Sam—a thirteen-year old synesthete with an IQ of 144 and an appetite for science fiction—waits by his father’s bedside every day. There he meets Eddie Tomlin, a woman forced to confront her love for Henri after all these years, and twelve-year old Madelyn Zeidler, a coma patient like Henri and the sole survivor of a traffic accident that killed her family. As these four very different individuals fight—for hope, for patience, for life—they are bound together inextricably, facing the ravages of loss and first love side by side. A revelatory, urgently human story that examines what we consider serious and painful alongside light and whimsy, THE BOOK OF DREAMS is a tender meditation on memory, liminality, and empathy, asking with grace and gravitas what we will truly find meaningful in our lives once we are gone.

The award-winning correspondent for the MacNeil/Lehrer NewsHour gives a moment-by-moment account of her walk into history when, as a 19-year-old, she challenged Southern law--and Southern violence--to become the first black woman to attend the University of Georgia. A powerful act of witness to the brutal realities of segregation.

President Barack Obama's Dreams of My Father (1995) and The Audacity of Hope (2006) have received positive and extensive critical attention from both professional reviewers and University scholars. While literary intellectuals have praised Obama's memoirs for the style in which he composed them, social scientists and partisan political analysts have thus far generally monopolized discussion of President Obama's writings. Yet there has been a recent surge of interest in the literary merits of Obama's writings. Our volume understands "literary" to indicate a host of a priori relationships that successful, artful writing brings to the surface of a written work. These are instantiated in narrative form, thereby revealing what Edward W. Said famously defined as the "worldliness" of the literary object. In the case of President Obama's writings, and Dreams from My Father in particular, those relationships are evident in the author's negotiation of literary tradition, rhetorical modes and historical narratives. By positioning the "literary" at this vantage, at the point where writing and the world converge, the volume's contributors assert the indispensable, and urgent, import of understanding the President not only in political terms, but, more importantly, in literary terms that place him within a long tradition of American literary-political authorship.

In this carefully researched and hauntingly written memoir, Lisa Gruenberg not only records her own life, but also that of relatives long lost to darkness, terror, and murder. In dreamlike sequences she weaves known facts of the lives of those lost into tableaus of imagined family dinners, conversations and leisure activities set in the Vienna landscape. She especially brings back to life some of the girls and women whose fates remain largely unknown. Indeed, she embodies her aunt Mia as she walks in her shoes, sees with her eyes, and speaks with her voice. These flights into the past are presented within the framework of Gruenberg's own family, her husband and daughters, and her father. He escaped from Vienna in 1939 and shared few of his memories with her, and that only late in life when disease had beaten down his defenses against remembering. The trauma and feeling of guilt often described in Holocaust survivors is reflected in this memoir, also the burden shared by so many of their children and grandchildren. At the same time, this tale is one of lightness and finding balance in all these difficulties and trials. There is an endless network of cousins and friends of cousins, one more colorful than the next. They are spread all over the world and Gruenberg seeks many of them out in her search for the past. At the center stands author's ability to look at the truth unflinchingly, including truths apparent in herself. She shares her insights in all their nakedness, starkness and, yes, hilarity. This, together with the author's luminous prose, make My City of Dreams an important landmark in 21st century testimony of the Holocaust.