An entertaining collection of maverick essays by an extraordinary writer. Whether writing about the pleasures of spanking, losing her religion, rock 'n' roll, the erotic lure of the movies, her own failed marriage, or other vexed subjects, Daphne Merkin is alway compulsively readable, tough-minded, recklessly candid, and controversial.

Few writers today have created more stir than Daphne Merkin--admired as much for her personal daring on the page as for the wit and power of her prose. Whether writing about the sexual pleasures of spanking (a piece that elicited a storm of response when it appeared in The New Yorker), losing her religion, her obsession with rock 'n' roll, her own failed marriage, or other vexed subjects, she is always tough-minded, compulsively readable, and at times recklessly candid. From her own cosmetic surgery "fix" to her flirtation with the idea of lesbianism, from the subversive thrill of shoplifting to the hidden madness of family life--she takes on the taboos and sacred cows we're fascinated by but seldom talk about. The bold and startling title essay, in which she confronts the demons of the Holocaust, is an example of this gifted writer at her most affecting: intensely self-probing but profoundly engaged with the world at large. Once in a while a writer appears who can immerse herself in the complex, raging currents of her time and make sense of them. In this dazzling collection of maverick essays--at once bracingly intelligent, morally reflective, and richly entertaining--Daphne Merkin illuminates the often tragicomic secrets that tell the true story of the way we live now.

The novel that stunned—and scandalized—Europe comes to America Wolf, a low-rent private detective, roams London’s gloomy, grimy streets, haunted by dark visions of a future that could have been—and a dangerous present populated by British Fascists and Nazis escaping Germany. Shomer, a pulp fiction writer, lies in a concentration camp, imagining another world. And when Wolf and Shomer's stories converge, we find ourselves drawn into a novel both shocking and profoundly haunting. At once a perfectly pitched hard-boiled noir thriller (with an utterly shocking twist) and a “Holocaust novel like no other” (The Guardian), A Man Lies Dreaming is a masterful, unforgettable literary experiment from “one of our best and most adventurous writers” (Locus).

Norman Spinrad's 1972 alternate history, gives us both a metafictional what-if novel and a cutting satire of one of the 20th century's most evil regimes . . . In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author. This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic 'trueman' Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric. Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the hard-of-understanding, Spinrad added an imaginary critical analysis by a fictional literary scholar, Homer Whipple, of New York University.

A chilling, fascinating, and nearly forgotten historical figure is resurrected in this riveting work that links the fascism of the last century with the terrorism of our own. Written with vigor and extraordinary access to primary sources in several languages, Icon of Evil is the definitive account of the man who, during World War II, was called "the fuhrer of the Arab world" and whose ugly legacy lives on today. With new and disturbing details, David G. Dalin and John F. Rothmann show how al -Husseini ingratiated himself with his hero, Adolf Hitler, becoming, with his blond hair and blue eyes, an "honorary Aryan" while dreaming of being installed as Nazi leader of the Middle East. Al-Husseini would later recruit more than 100,000 Muslims in Europe to fight in divisions of the Waffen- SS, and obstruct negotiations with the Allies that might have allowed four thousand Jewish children to escape to Palestine. Some believe that al-Husseini even inspired Hitler to implement the Final Solution. At war's end, al-Husseini escaped indictment at Nuremberg and was harbored in France. Icon of Evil chronicles al-Husseini's postwar relationships with such influential Islamic figures as the radical theoretician Sayyid Qutb and Saddam Hussein's powerful uncle General Khairallah Talfah and his crucial mentoring of the young Yasser Ararat. Finally, it provides compelling evidence that al-Husseini's actions and writings serve as inspirations today to the leaders of Hamas, Hezbollah, and other terrorist organizations pledged to destroy Israel and the United States.

A bold, provocative "pioneering novel" (Los Angeles Times) about family, womanhood, and growing up Set on Manhattan's Upper East Side, Enchantment is narrated by Hannah Lehmann, the wry survivor of a troubled childhood. Hannah's perceptions of her Orthodox German Jewish heritage—her five brothers and sisters, the complicated power of families, the madness of money, the obsessive workings of memory itself—are as disquieting in their sharpness as they are lucid in their irony. The world, she finds, is a treacherous place where love is closely knit with pain, but even the limitations of her own point of view are not lost on Hannah. She is all too aware that her perspective is fixed in the vise of her childhood: “My mother,” she says, “is the source of my unease in the world and thus the only person who can make me feel at home in the world.” This is a novel about what people say when they are talking to themselves; what families look like when they are not observed by others. Provocative, hawkishly observed, and devastating in its reliability, Daphne Merkin's Enchantment is a searing and unforgettable exploration of family and self.