A complete guide to drawing, perception, and analysis for architects and designers The observation and drawing of real objects are the starting points for the designer's visionary constructions and inspirations. A longtime favorite of architectural students, Douglas Cooper's Drawing and Perceiving: Real-World Drawing for Students of Architecture and Design instills an understanding of the basic principles of drawing that are universal to all design disciplines-mass, volume, form, contour, texture, shadow, and more-as it explores the knowledge, rational thought, and expressiveness that designers rely on to create successful drawings. Now including a CD featuring Cooper's own dynamic instruction, this new Fourth Edition combines theory and technique to prepare students of architecture and design to carry on a dialogue between their perceptions of the physical world and their understanding of the elements of design.

Evolving from a drawing course taught to first-year architecture students, this text teaches the foundations, taking the point of view that drawing is fundamentally a tactile and kinesthetic act (for which the author gives credit to Kimon Nicolaides and his book The Natural Way to Draw. Theory, exercises, and examples combine to present the art of drawing as an "act of making rather than as an act of viewing." May be the one drawing book architecture students need, and certainly should interest art students and others outside of architecture as well. Annotation copyright by Book News, Inc., Portland, OR

From Leonardo da Vinci to Louis Kahn, the world's great designers and architects have used the observation and drawing of real objects to inform and inspire visionary constructions. This book prepares students of architecture and design to carry on a similar dialogue between their perceptions of the physical world and their understanding of the elements of design. It instills an understanding of the basic principles of drawing that are universal to all designdisciplines-mass, volume, form, contour, texture, shadow, and more-as it explores the knowledge, rational thought, and analysis that design professionals rely on to create successful drawings. This combination of technique, theory, and analysis equips the designer with a powerful set of tools, crucial to both the creative process and the successful career.

Draw amazingly accurate portraits starting today! Even if you're an absolute beginner, you can render strikingly realistic faces and self-portraits! Instructor and FBI-trained artist Carrie Stuart Parks makes it simple with foolproof step-by-step instructions that are fun and easy to follow. You'll quickly begin to: • Master proportions and map facial features accurately • Study shapes within a composition and draw them realistically • Use value, light and shading to add life and depth to any portrait • Render tricky details, including eyes, noses, mouths and hair Proven, hands-on exercises and before-and-after examples from Parks' students ensure instant success! It's all the guidance and inspiration you need to draw realistic faces with precision, confidence and style!

How do we experience the world before memory, before language, before the senses have separated, or before the concepts of “you” and “I” have been distinguished? Laynie Browne investigates both the limits and potential of such an inchoate world in her new book of poetry, Drawing of a Swan Before Memory. In a series of elegant prose poems, Browne guides the reader through the intricate development of human perception, where the haunting vastness of childhood slowly gives way to the defining features of adult cognition. Subtly nuanced verse constructs a world of color before sight and utterance before language--all the while aware that, ironically, language itself makes this ethereal world possible.

The relationship of visual perception to color expression in art is presented here in clear detail. Photographs of representative paintings, explanatory line drawings, and abstract, geometric color plates supplement the text.