It's everyone's dream: to leave behind the rat-race of the working world and start life all over again amidst the cool breezes, sun-drenched colours, and rum-laced drinks of a tropical paradise. This is the story of Norman Paperman, a New York City press agent who, facing the onset of middle age, runs away to a Caribbean island to reinvent himself as a hotel keeper. Pulitzer Prize-winning author Herman Wouk, who himself lived on an island in the sun for seven years, draws on his own experiences to tell a story at once brilliantly comic and deeply moving about a man's search for happiness, and for himself.

Don?t Stop The Carnival" is the story of Black music in Britain from Tudor times to the mid-1960s. It is a story framed by slavery, empire, colonialism and the flow of music around the Black Atlantic of Africa, the Caribbean, the USA and Great Britain. It is about the passage of temporary but influential visitors such as The Fisk Jubilee Singers, The Southern Syncopated Orchestra and Paul Robeson; about the post-1945 migration of people from the colonial empire to Britain; about the new energies released by independence in the ex-colonies that created new musical forms such as ska, rocksteady and West African highlife.00It is the story of a struggle against racism, but also of institutions like the military that provided spaces for black musicians from the middle ages to the mid-20th century. It is the story of individuals such as the trumpeter John Blanke in the court of Henry VIII, Ignatius Sancho writing minuets in the 18th century, Billy Waters scraping the catgut on the streets, the violinist George Bridgewater and his falling out with Beethoven, the composer Samuel Coleridge-Taylor whose music is still played today, and popular 1930s entertainers such as?Hutch? and Ken?Snakehips? Johnson. Above all, it is the story of those who changed the face of British music in the postwar period in ways that continue to evolve in the present.00?It is the story of actual Windrush arrivals such as calypsonian Lord Kitchener, and singer Mona Baptiste; of Edric Connor, Cy Grant and Winifred Atwell who made inroads into the BBC and British hearts; of those who brought calypso and steel band to Britain?s streets; of Caribbean jazz musicians such as Leslie Thompson, Joe Harriott, Dizzy Reece and Andy Hamilton; of great West African highlifers such as Ambrose Campbell and Ginger Johnson; of escapees from apartheid South Africa, such as Louis Moholo-Moholo who brought the sounds of Soweto to British jazz.

Inadvertent embezzler Blake Calloway high-tails it to the Caribbean, a step ahead of the Feds and desperate to restart life as an anonymous divemaster in a tropical paradise. On Blacktip Island, though, Blake quickly discovers "tropics" doesn't mean "paradise," and rookie boat hands stick out like a reef at low tide. The locals are quirky: a landlord who swears he's Fletcher Christian reincarnated, a boss who likes fish better than people, a sloshed resort manager with a sex-crazed wife, a possibly ax-murdering neighbor, and a girlfriend who just might turn Blake in for the reward money. Blake steers a ragged course between them, trying to straighten out the mess he's made before the cops can track him down and haul him away. Blacktip Island is an irresistible comedy for anyone who's ever dreamed of trading the rat race for a hammock under the palm trees.

Under the Tuscan Sun meets the wide-open sea . . . An Embarrassment of Mangoes is a delicious chronicle of leaving the type-A lifestyle behind -- and discovering the seductive secrets of life in the Caribbean. Who hasn’t fantasized about chucking the job, saying goodbye to the rat race, and escaping to some exotic destination in search of sun, sand, and a different way of life? Canadians Ann Vanderhoof and her husband, Steve did just that. In the mid 1990s, they were driven, forty-something professionals who were desperate for a break from their deadline-dominated, career-defined lives. So they quit their jobs, rented out their house, moved onto a 42-foot sailboat called Receta (“recipe,” in Spanish), and set sail for the Caribbean on a two-year voyage of culinary and cultural discovery. In lavish detail that will have you packing your swimsuit and dashing for the airport, Vanderhoof describes the sun-drenched landscapes, enchanting characters and mouthwatering tastes that season their new lifestyle. Come along for the ride and be seduced by Caribbean rhythms as she and Steve sip rum with their island neighbors, hike lush rain forests, pull their supper out of the sea, and adapt to life on “island time.” Exchanging business clothes for bare feet, they drop anchor in 16 countries -- 47 individual islands -- where they explore secluded beaches and shop lively local markets. Along the way, Ann records the delectable dishes they encounter -- from cracked conch in the Bahamas to curried lobster in Grenada, from Dominican papaya salsa to classic West Indian rum punch -- and incorporates these enticing recipes into the text so that readers can participate in the adventure. Almost as good as making the journey itself, An Embarrassment of Mangoes is an intimate account that conjures all the irresistible beauty and bounty from the Bahamas to Trinidad -- and just may compel you to make a rash decision that will land you in paradise.

A “truly enjoyable” journey through one man’s Jewish American experience by the #1 New York Times–bestselling author of Marjorie Morningstar (Newsday). Israel David Goodkind is a minor bureaucrat in the Nixon White House, killing time in the office by writing the story of four generations of his large, sprawling Russian Jewish immigrant family. As he recounts his brief stint in show business, his torrid affair with a showgirl, and his encounters with a hassled and distracted President Nixon, Goodkind also witnesses historical events firsthand—the Watergate scandal, the Yom Kippur War—and eventually finds his way back to his Jewish faith. Combining Pulitzer Prize winner Herman Wouk’s wildly comic streak with his deep respect for religious tradition, Inside, Outside is both an individual’s story and “a social comedy of Jewish-American life reaching from New York to Jerusalem and spanning much of the 20th century” (Publishers Weekly). “Extremely funny.” —The Wall Street Journal “Wouk reaffirms his position as one of the nation’s eminent storytellers.” —Newsday “Wouk’s most significant work since The Caine Mutiny.” —Chicago Tribune “Generously stuffed with zestfully old-fashioned humor and sentiment.” —Kirkus Reviews

In this stunning work of historical fiction, the Booker Prize–nominated author of Jamrach’s Menagerie reimagines the incredible true story of Julia Pastrana, a woman branded a freak at birth. Although she was pronounced by the most eminent physician of the day to be “a true hybrid wherein the nature of woman presides over that of the brute,” Julia was fluent in English, French, and Spanish, and an accomplished musician with an exquisite singing voice. Alternately vilified and celebrated, all she wanted was for people to see beyond her hairy visage—and perhaps, the chance for love. When Julia meets a charming showman who catapults her onto the global stage, she believes that she has found true happiness at last. But the question of whether her lover truly cares for her—or if his management is just a new form of exploitation—lingers heavily. A deeply moving novel, in Orphans of the Carnival Carol Birch has crafted a haunting examination of how we define ourselves and, ultimately, of what it means to be human.

A writer finds wealth, fame, and sorrow in midcentury Manhattan in “a tremendous novel . . . full of wisdom and pain” by the #1 New York Times–bestselling author (Los Angeles Times). Arthur Youngblood Hawke, an ex-Navy man, moves from hardscrabble rural Kentucky to New York, hoping to make his mark on the literary world. His first novel becomes an instant hit, and he is toasted by critics and swept along on a tide of celebrity. But as Hawke gives himself over to the lush life that gilds artistic success—indulging in an affair with an older married woman and a flirtation with his editor, dabbling in real estate developments as his second novel brings him massive wealth and even bigger opportunities—he soon finds himself in a self-destructive downward spiral. Inspired by the life of Thomas Wolfe, and spanning from the Manhattan publishing world to Hollywood to Europe, Youngblood Hawke is both a riveting saga of postwar glamor and a poignant tale of one man’s rise and fall. “A big, powerful, exciting novel . . . Wouk has a tremendous narrative gift.” —San Francisco Chronicle “As searing and accurate a picture of New York in the late 1940s and 1950s as Bonfire of the Vanities was of its period. . . . And icing the cake are some marvelous Hollywood sections, including the best agent-in-action-on-two-telephones scenes ever captured in print.” —Los Angeles Times