Exploring what can be learnt when literary critics in the field of animal studies temporarily direct attention away from representations of nonhuman animals in literature and towards liminal figures like androids, aliens and ghosts, this book examines the boundaries of humanness. Simultaneously, it encourages the reader both to see nonhuman animals afresh and to reimagine the terms of our relationships with them. Examining imaginative texts by writers such as Octavia Butler, Philip K. Dick, Kazuo Ishiguro, Jeanette Winterson and J. M. Coetzee, this book looks at depictions of androids that redefine traditional humanist qualities such as hope and uniqueness. It examines alien visions that unmask the racist and heteronormative roots of speciesism. And it unpacks examples of ghosts and spirits who offer posthumous visions of having-been-human that decenter anthropocentrism. In doing so, it leaves open the potential for better relationships and futures with nonhuman animals.

Exploring what can be learnt when literary critics in the field of animal studies temporarily direct attention away from representations of nonhuman animals in literature and towards liminal figures like androids, aliens and ghosts, this book examines the boundaries of humanness. Simultaneously, it encourages the reader both to see nonhuman animals afresh and to reimagine the terms of our relationships with them. Examining imaginative texts by writers such as Octavia Butler, Philip K. Dick, Kazuo Ishiguro, Jeanette Winterson and J. M. Coetzee, this book looks at depictions of androids that redefine traditional humanist qualities such as hope and uniqueness. It examines alien visions that unmask the racist and heteronormative roots of speciesism. And it unpacks examples of ghosts and spirits who offer posthumous visions of having-been-human that decenter anthropocentrism. In doing so, it leaves open the potential for better relationships and futures with nonhuman animals.

Ghost, Android, Animal challenges the notion that trauma literature functions as a healing agent for victims of severe pain and loss by bringing trauma studies into the orbit of posthumanist thought. Investigating how literary representations of ghosts, androids, and animals engage traumatic experience, this book revisits canonical texts by William Faulkner and Toni Morrison and aligns them with experimental and popular texts by Shirley Jackson, Philip K. Dick, and Clive Barker. In establishing this textual field, the book reveals how depictions of non-human agents invite readers to cross subjective and cultural thresholds and interact with the "impossible" pain of others. Ultimately, this study asks us to consider new practices for reading trauma literature that enlarges our conceptions of the human and the real.

[headline]Argues that literature has a special role to play in developing a wishful, visionary and utopian sensibility for living in a more-than-human world Instead of making readers into better people, what if fiction could help us to become better animals? On Fiction and Being a Good Animal argues that we should value fiction for its ability to envision being better human animals - less exceptional and dominating, more creaturely and familial. This book isolates wishful images that pertain to nonhuman animal life and to human-animal relationships in a range of contemporary novels, while forging fresh connections between critical animal studies, critical social theory and literary ethics. David P. Rando demonstrates that 'anthropocosmic' visions in literature help to reposition the human with and among other animals instead of at the centre and offer opportunities for shared vulnerability and communion. [bio]David P. Rando is Professor of English at Trinity University in San Antonio, Texas. His previous books include Doing Animal Studies with Androids, Aliens, and Ghosts (2023); Hope, Form, and Future in the Work of James Joyce (2022); Hope and Wish Image in Music Technology (2017); and Modernist Fiction and News (2011).

It is to testify to a future existence for animals and to create a wider interest in it that I have undertaken to compile this book; and my object, I think, can best be achieved in my own way, the way of the investigator of haunted places. The mere fact that there are manifestations of "dead" people (pardon the paradox) proves some kind of life after death for human beings; and happily the same proof is available with regard a future life for animals; indeed there are as many animal phantasms as human--perhaps more; hence, if the human being lives again, so do his dumb friends.Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to [email protected] This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via [email protected]

If human beings, with all their vices, have a future life, assuredly animals, who in character so often equal, nay, excel human beings, have a future life also. Those who in the Scriptures find a key to all things, can find nothing in them to confute this argument. There is no saying of Christ that justifies one in supposing that man is the only being, whose existence extends beyond the grave. Granted, however, merely for the sake of argument, that we have some ground for the denial of a future existence for animals, consider the injustice such a denial would involve.

As we move through the 21st century, the importance of science fiction to the study of English Literature is becoming increasingly apparent. The Science Fiction Handbook provides a comprehensive guide to the genre and how to study it for students new to the field. In particular, it provides detailed entries on major writers in the SF field who might be encountered on university-level English Literature courses, ranging from H.G. Wells and Philip K. Dick, to Doris Lessing and Geoff Ryman. Other features include an historical timeline, sections on key writers, critics and critical terms, and case studies of both literary and critical works. In the later sections of the book, the changing nature of the science fiction canon and its growing role in relation to the wider categories of English Literature are discussed in depth introducing the reader to the latest critical thinking on the field.