Dogopolis presents a surprising source for urban innovation in the history of three major cities: human-canine relationships. Stroll through any American or European city today and you probably won’t get far before seeing a dog being taken for a walk. It’s expected that these domesticated animals can easily navigate sidewalks, streets, and other foundational elements of our built environment. But what if our cities were actually shaped in response to dogs more than we ever realized? Chris Pearson’s Dogopolis boldly and convincingly asserts that human-canine relations were a crucial factor in the formation of modern urban living. Focusing on New York, London, and Paris from the early nineteenth century into the 1930s, Pearson shows that human reactions to dogs significantly remolded them and other contemporary western cities. It’s an unalterable fact that dogs—often filthy, bellicose, and sometimes off-putting—run away, spread rabies, defecate, and breed wherever they like, so as dogs became a more and more common in nineteenth-century middle-class life, cities had to respond to people’s fear of them and revulsion at their least desirable traits. The gradual integration of dogs into city life centered on disgust at dirt, fear of crime and vagrancy, and the promotion of humanitarian sentiments. On the other hand, dogs are some people’s most beloved animal companions, and human compassion and affection for pets and strays were equally powerful forces in shaping urban modernity. Dogopolis details the complex interrelations among emotions, sentiment, and the ways we manifest our feelings toward what we love—showing that together they can actually reshape society.

Straying -- Biting -- Suffering -- Thinking -- Defecating.

Animal Satire presents a cultural history of animal satire, a critically neglected but persistent presence in the history of cultural production, in which animals expose human folly while the strategies of satire expose the folly of human-animal relations. Highlighting the teeming animal presences across the history of satirical expression from Aristophanes to Twitter, with chapters on key works of literature, drama, film, and a plethora of satirical media, Animal Satire reveals the rich rhetorical significance of animality in powering the politics of satire from ancient and medieval through modern and contemporary times. More pressingly, the book makes the case for the significance of satire for understanding the real-world implications of rhetoric about animals in ongoing struggles for justice. By gathering both critical and creative examples from representative media forms, historical periods, and continents, this volume aims to enrich scholarship on the history of satire as well as empower creative practitioners with ideas about its practical applications today.

Oh, no! Someone has stolen the Mona Woofa from the Dogopolis Museum of Art and the police don't even realize that they are barking up the wrong tree when they collar their number one suspect. So it's up to Art Dog, the mysterious, masked painter who roams the streets of Dogopolis, to find the missing masterpiece. Zip! Splash! Smoosh! He paints himself a Brushmobile, and he's off––on a wild and funny chase to capture the dastardly crooks. With the same deft touches of high-spirited fun and adventure that have made Mystery on the Docks and Mama Don't Allow (both Reading Rainbow Featured Selections) such perennially popular stories, Thacher Hurd serves up a new action-packed tale that will delight young readers. 1996 ‘Pick of the Lists' (ABA) Children's Choices for 1997 (IRA/CBC) 1998 Red Clover Book Award (VT)

How do British pavements remain free of dog mess? Why are paths not littered with cigarette butts or roads not lined with abandoned cars? What does the decline of the public lavatory say about us and is the national reputation for queuing still deserved today? Orderly Britain takes a topical look at modern society, examining how it is governed and how it organises itself. It considers the rules of daily life, where they come from and why they exist. It asks whether citizens are generally compliant and uncomplaining or rebellious and defiant. This quirky social history takes a close look at shifting customs and practices, people's expectations of each other and how rule-makers seek to shape everyone's lives - even when ignoring some of those rules themselves. Taking the reader on a journey that covers a range of topics - dog mess, smoking, drinking, parking, queuing, toilets - Orderly Britain examines the rapidly changing patterns of everyday life, from post-war to present day, and concludes with an extended look at the unparalleled shifts in social routines that resulted from the global COVID-19 pandemic. Asking whether it is the proliferation of rules and regulations in the UK or something else that keeps people in line, authors Tim Newburn and Andrew Ward offer a unique insight into what creates orderly Britons.

We know that there were dogs in Victorian Britain, but who were the ‘Doggy People’ who kept them, bred them, showed them, worked with them and cared for them? Chapter by chapter, this book reveals the varied and often eccentric lives of the Victorians who helped define dogs as we know them today. The cast runs from the very pinnacle of society, Queen Victoria, to near the bottom with Jemmy Shaw, a publican, boxer, promoter of dog-fights and rat-killing. The others include an artist, aristocrats, authors, a clergyman, doctors, a dog-dealer, a feminist, journalists, landowners, millionaires, philanthropists, politicians, scientists, a stockbroker, veterinarians, and a showman – none other their Charles Cruft. Looking at the invention and meaning of new breeds such as poodles, collies, Jack Russells, and borzois amongst others, we see how the Victorians thought about pets, sports, dog shows and animal rights.