In psychotherapy and psychiatry, mental illness diagnostics is limited to the description of symptoms and has nothing to do with assessing the state of the organ that performs the mental functions. In other branches of medicine, any diagnosis aims to answer the question about the physical disturbance of the internal technology of the body. But the Mind remains outside of this correct approach. As a result, all systemic mental pathologies are currently incurable. This absurd situation is due to the lack of a physically grounded theoretical model of the Mind. Without it, practical treatment of the disorders remains ‘wandering in the dark.’ How can we fix something if there is no understanding of what it is and how it works? Within the Teleological Transduction Theory developed in the previous volumes of the series, harmony of the Mind is a physical concept of normal functioning. Respectively, when the pathologies are described as dissonances, it is not a metaphor but a reference to the physical malfunction leading to the disintegration of the Mind. The book proposes a new approach to the diagnosis and classification of mental pathologies, based on an assessment of the state of the physical mechanism of the Mind and violations of the technological algorithm of the brain. The goal is to create the concept as a universal tool that can be used in various pathologies. The book offers a model of systemic pathologies such as autism and schizophrenia, which reveals the essence of the physical problem that causes the observed symptoms. This could be the beginning of a project that will overcome the current chaotic state of the field of psychopathology and harmonize our diagnosis and treatment of mental illness as disorders of the brain.

Originally published: Evanston, Ill.: Row, Peterson, c1957.

Why does music have such a powerful effect on our minds and bodies? It is the most mysterious and most tangible of all forms of art. Yet, Anthony Storr believes, music today is a deeply significant experience for a greater number of people than ever before. In this book, he explores why this should be so. Drawing on a wide variety of opinions, Storr argues that the patterns of music make sense of our inner experience, giving both structure and coherence to our feelings and emotions. It is because music possesses this capacity to restore our sense of personal wholeness in a culture which requires us to separate rational thought from feelings that many people find it so life-enhancing that it justifies existence.

It’s been 10 years since the world officially ended. In the last city on Earth, Jon Salt is addicted to Sadness, a drug that invokes its name, and obsessed with his lover, Michelle; both of which threaten to drive him insane. Strange creatures and new technologies appeared in the last days of humanity and the widespread adoption of teleportation technology sundered the fabric of time and space, leaving a smattering of looping ghosts. It is a sad, monotone world, but the remaining populace is happy, thanks to the anti-depressants in the water supply. The last government on Earth has taken a special interest in a gift that Jon possesses: the ability to make his thoughts real. Jon must rely on that gift and the help of a few unlikely friends to stay one step ahead of those who desperately want to use him for something far more sinister than even he could dream…

This volume describes advances in the theory of cognitive dissonance, from its origination in 1954 to the present day.

Does the brain create the mind, or is some external entity involved? This book synthesizes ideas borrowed from philosophy, religion, and science. Topics range widely from brain imagining of thought processes to quantum mechanics and the essential role of information in brains and physical systems.

In a radical reinterpretation of how the mind works, an eminent behavioral scientist reveals the illusion of mental depth Psychologists and neuroscientists struggle with how best to interpret human motivation and decision making. The assumption is that below a mental “surface” of conscious awareness lies a deep and complex set of inner beliefs, values, and desires that govern our thoughts, ideas, and actions, and that to know this depth is to know ourselves. In this profoundly original book, behavioral scientist Nick Chater contends just the opposite: rather than being the plaything of unconscious currents, the brain generates behaviors in the moment based entirely on our past experiences. Engaging the reader with eye-opening experiments and visual examples, the author first demolishes our intuitive sense of how our mind works, then argues for a positive interpretation of the brain as a ceaseless and creative improviser.