Providing an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors. Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.

"This collection of chilling horror stories from the maestro of suspense contains nearly 20 of Edgar Allan Poe's best known stories"--Amazon.com

Spanning the extraordinary breadth of the genre, these terrifying stories are sure to leave you sleeping with the light on for many nights to come. Whether the threat comes from accursed artefacts, supernatural villains, or deadly rituals, there is always some unknowable evil lurking around the corner waiting to pounce. Ranging from the efforts of classic literary writers like Mary Shelley and Robert Louis Stevenson to pulp icon H. P. Lovecraft, these masters of the dark arts knew how to create suspense and an impending sense of dread. Horror fiction found its first connoisseurs amongst the Victorian public. This collection features several of its most accomplished pioneers. Short stories from Mary Shelley, the author of Frankenstein, Bram Stoker, the author of Dracula, and Robert Louis Stevenson, the author of The Strange Case of Dr Jekyll and Mr Hyde, show that some of the 19th century's most revered horror novelists could provide equally terrifying experiences in a shorter form. Other authors such as H. P. Lovecraft, William Hope Hodgson, Pearl Norton Swet, and M. P. Shiel established themselves in the emerging pulp magazines of America in the early 20th century. There, they mastered their craft and provided terrifying thrills for an audience eager for a new type of fiction. Meanwhile, in the United Kingdom and Ireland, writers like Joseph Sheridan Le Fanu, E. F. Benson, and M. R. James mastered the classic ghost story. And who can forget Edgar Allan Poe? He devoted himself almost entirely to his poetry and his short stories, and his lyrical style and ability to evoke an atmosphere are unparalleled. includes stories by: Edward Frederic Benson Ambrose Bierce Francis Marion Crawford George Allan England William Hope Hodgson W. W. Jacobs M. R. James Vernon Lee Joseph Sheridan Le Fanu H. P. Lovecraft Arthur Machen Guy de Maupassant Edgar Allan Poe Charlotte Riddell Mary Shelley M. P. Shiel Robert Louis Stevenson Bram Stoker Pearl Norton Swet

While best known for literature's greatest, most popular, and most famous vampire novel, Dracula, Bram Stoker also wrote superlative short stories. Indeed, he was a genius at creating horror within the confines of a short tale. Now readers can sample Stoker's mastery in this treasury of fourteen spine-tingling stories. Not all the selections deal with the ghostly and supernatural, but they are always bizarre, and some—like "The Squaw" and "The Burial of the Rats"—are equal to Poe at his best. In addition to these two masterly tales, the collection includes "The Crystal Cup," "The Chain of Destiny," "The Castle of the King," "The Dualists" (probably Stoker's most horrifying story), "The Judge's House," "The Secret of the Growing Gold," "A Dream of Red Hands," "Crooken Sands," "Dracula's Guest," and three more. Lovers of occult and supernatural fiction will delight in this inexpensive collection of ghost and horror stories, called by Stephen King "absolutely champion short stories."

'Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come - but I must not and cannot think!' H. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of 'weird fiction'. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer. This new selection brings together nine of his classic tales, focusing on the 'Cthulhu Mythos', a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. It includes the Introduction from Lovecraft's critical essay, 'Supernatural Horror in Literature', in which he gave his own important definition of 'weird fiction'. In a fascinating contextual introduction, Roger Luckhurst gives Lovecraft the attention he deserves as a writer who used pulp fiction to explore a remarkable philosophy that shockingly dethrones the mastery of man.