In 2005, Father Julián Carrón became the leader of the global ecclesial movement Communion and Liberation, following the death of the movement's founder, Father Luigi Giussani. Disarming Beauty is the English translation of an engaging and thought-provoking collection of essays by one of the principal Catholic leaders and intellectuals in the world today. Adapted from talks given by Fr. Carrón, these essays have been thoroughly reworked by the author to offer an organic presentation of a decade-long journey. They present the content of his elaboration of the gospel message in light of the tradition of Fr. Giussani, the teachings of the popes, and the urgent needs of contemporary people. Carrón offers a broad diagnosis of challenges in society and then introduces their implications in contexts such as families, schools, workplaces, and political communities. In a dialogue with his listeners, he inspires and encourages them to lay out a new path for the Catholic church and the world. Throughout his essays, Carrón addresses the most pressing questions facing theologians today and provides insights that will interest everyone, from the most devout to the firm nonbeliever. Grappling with the interaction of Christian faith and modern culture, Carrón treats in very real and concrete ways what is essential to maintaining and developing Christian faith, and he invites an ongoing conversation about the meaning of faith, truth, and freedom.

Over sixty years ago, Thomas Merton—monk, mystic, and writer—proclaimed that we are living in a post-Christian world. That is, the influence of the institutional church is in decline and the popular version of Christianity presented to society has in many ways become a caricature of itself. Since that time, the religious landscape has continued to change. Today the number of people who identify as “None,” someone with no particular religious affiliation, outnumbers the combined total of all Mainline Protestants. In addition, many popular Christian responses to our secular world are divisive and focused on fighting the culture war instead of finding ways to live the gospel. All of these religious changes are occurring in a broader post-truth culture in which facts matter less and less, and our society is increasingly divided. This book delves into these issues and introduces the life and writings of Thomas Merton, showing how he can guide Christians working to build God’s kingdom in the world today.

In the spring of 1820, on the Aegean island of Melos, an unsuspecting farmer was digging for marble building blocks when he unearthed the statue that would come to be known as the Venus de Milo. From the moment of its discovery a battle for possession ensued and was won, eventually, by the French. Touted by her keepers in the Louvre as the great classical find of the era, the sculpture gained instant celebrity–and yet its origins had yet to be documented or verified. From the flurry of excitement surrounding her discovery, to the raging disputes over her authenticity, to the politics and personalities that have given rise to her mystique, Gregory Curtis has given us a riveting look at the embattled legacy of a beloved icon and a remarkable tribute to one of the world’s great works of art.

"From the time of the great Greek philosophers, the good, true, and beautiful were seen as inseparable. Beauty is always good and true. It can be the still, small voice crying in the wilderness, calling us to higher things. Jimmy Mitchell communicates this with an eloquence and elegance which is itself a thing of beauty." — Joseph Pearce, Biographer of Shakespeare, Solzhenitsyn, Tolkien, and Chesterton In an era marked by rampant secularism and endless noise, the ten principles of Let Beauty Speak empower Christians to evangelize the world by bringing beauty to the forefront of their lives and reminding the world what it means to be human. This book is particularly timely given the social unrest, political upheaval, and cultural strife of our times. The world's problems cannot be solved by worldly solutions. Politics, medicine, technology, and other secular fields have their place in society, but the deepest existential questions of the human heart can only be answered by the beauty of holiness found in the lives of the saints. From cave diving in Austria to summer camps in New Zealand, Let Beauty Speak is full of personal stories and rich theology that will inspire you to become a great saint as you apply the book's principles to your own life. Each chapter is organized into beautiful, bite-size sections that make it easy for non-academics to enjoy. Each chapter also concludes with practical tips and recommendations that give you an opportunity to further personalize the principles and transform your day-to-day life. From embracing childlike wonder to integrating prayer, work, and leisure into your everyday life, this is your how-to guide for evangelizing others by first living your humanity well. If not you, then who? If not now, then when? Turn these principles into a way of life, and you'll join the long line of saints whose holiness was the remedy for the isolation, confusion, and meaninglessness of their times.

He was an ordinary citizen, perhaps a schoolteacher, but nonetheless an enigma, who followed his country's armies into that holocaust called The War Between The States. Compelled by a sense of obligation, the author chronicled neither great battles nor the deeds of generals but instead focused on the experiences of those who bore the war's greatest costs-the soldiers who fought it and the common people who endured it. For too long, owing to the many misleading myths propagated in the North about the Southern "Cause" and afterwards promoted by the general culture (via entertainment and formal education), he's been made the war's villain. "Johnny Reb" was as genuinely American as any soldier in blue. He fought doggedly and ultimately against overwhelming odds for the Southern states in what he perceived and believed was the defense of the Constitution as he and learned men then interpreted it. The war never truly resolved the Constitutional issue of states' rights versus federal authority, having merely stifled the debate via force of arms. No one knows his ultimate fate, but those he wrote about no longer remain anonymous In the Beauty of the Lilies.

Among the great authors of postwar Japan, Abe Kōbō (1924–1993) is the mechanic. Works such as "The Woman in the Dunes" (1962), which brought him worldwide renown, conduct a profound analysis of human existence, while revelling in technical detail. The early postwar years were not only formative for Abe as a writer and political activist, they were also formative years for Japanese literature, culture, and politics. While progressing, in his own words, "from existentialism, to surrealism, and on to Communism", Abe published numerous treatises, tracts and other essays of various kinds concerning revolutionary aesthetics and the historic role of the arts, between artistic autonomy and social commitment. Abe's essays show the maturing of both his artistic and aesthetic agenda, and of his essay style. This process also involves political disillusionment, raising the question of what bearing Abe's earlier radical positions have on his more mature work. This study examines Abe Kōbō's programmatic essays written between his repatriation from Manchuria in 1947 and his expulsion from the Communist Party in 1962. The texts are placed in the context of the artistic and political groups in which he was active, and of the broader literary issues of the time, centring on the quest for a new beginning in literature.

In his theory of the 'mirror stage', the psychoanalyst and psychiatrist Jacques Lacan argued that the female body is defined by its lack of male attributes. Within this framework, he described female sexuality primarily as an absence, and assumed female subordination to the male gaze. However, what happens if one follows Jean Baudrillard's advice to 'swallow the mirror' and go through the 'looking-glass' to explore the reflections and realities that we encounter in the cultural mirror, which reflects the culture in question: its norms, ideals and values? What if the beautiful is inverted and becomes ugly; and the ugly is considered beautiful or shape-shifts into something conventionally thought of as beautiful? These are the fundamental questions that Basia Sliwinska poses in this important new enquiry into gender identity and the politics of vision in contemporary women's art.Through an innovative discussion of the mirror as a metaphor, Sliwinska reveals how the post-1989 practices of woman artists from both sides of the former Iron Curtain - such as Joanna Rajkowska, Marina Abramovic, Boryana Rossa, Natalia LL and Anetta Mona Chisa and Lucia Tkacova - go beyond gender binaries and instead embrace otherness and difference by playing with visual tropes of femininity. Their provocative works offer alternative representations of the female body to those seen in the cultural mirror. Their art challenges and deconstructs patriarchal representations of the social and cultural 'other', associated with visual tropes of femininity such as Alice in Wonderland, Venus and Medusa. The Female Body in the Looking-Glass makes a refreshing, radical intervention into art theory and cultural studies by offering new theoretical concepts such as 'the mirror' and 'genderland' (inspired by Alice's adventures in Wonderland) as critical tools with which we can analyse and explain recent developments in women's art.