In his book 21 Lessons for the 21st Century the historian Yuval Noah Harrari wrote that man had the possibility to conquer the world precisely because he could create fictional stories and believe in them. People created more and more complex stories about themselves that served and continue to serve, according to the professor of the University of Jerusalem, building unity, social harmony and gaining power. A narrative about past, in which memory fragmentation and victimisation play a large role, may be a temptation to instrumentalise the past. This is especially true in relation to the events of the twentieth century, when a series of bloody war conflicts occurred. As shown in the following post-conference volume, today the wars of the past (World War I and World War II, Indian-Pakistani war) and current conflicts (Russo-Ukrainian war, war in Sudan or Nagorno-Karabakh) are also a catalyst for the process of instrumentalisation. This process can be analysed both at the level of the evolution of the language of conflict, including the erosion of the values of democratic dialogue, and the use of specific means of commemorating the past (monuments, museums, the Internet).

Prowling among these stories about Japan one finds riffraff and gentlemen, pirates and warriors, saints and sinners, smugglers and legitimate businessmen. All those, in fact, who made up the foreign communities of Japan in the early days. Harold S. Williams tells about them with the same inimitable humor, irony, drama and whimsy that made his earlier Tales of the Foreign Settlements such a popular success. With due regard for historical accuracy he recreates those fantastic days and the furor and fun with which they were filled. Here you can enjoy the privileged social status of belonging to the Victorian Volunteer Steam Fire Engine Company of Yokohama; you can join those Japanese pirates who were the first to meet Englishmen; arbitrate Japan's first labor dispute, involving foreigners, of course; witness the massacre of forty thousand Japanese Christians; revel in Nagasaki when it was the Paris of the Far East; travel over the Tokaido when it was the most picturesque and colorful of the world's highways; watch at close range each gruesome detail of an act of harakiri; dive for sunken treasures; watch the world's largest wooden vessel burn to the water line; marvel at one of the greatest advertising feats of all time.

A widowed Victorian Lady . . . A mysterious Viscount . . . A remote and ancient castle . . . Where ghostly residents stir anew . . .

Art Deco lighting from homes and public spaces presented in over 590 color photos, including accent and figural radio lamps, boudoir lamps, table and desk lamps, overhead and wall lighting, and floor lighting produced by Consolidated Glass, Lightolier, Lincoln, Moe Bridges, Williamson, Frankart, Nuart, and Chase. The text provides values in the captions for the lighting displayed.

I never expected myself to become a writer neither I was an avid reader. But one thing that triggered me to write this book was my disposition towards sexuality when I was in the first year of my graduation. So, I decided to explore more about this unexplored arena, unaware of the fact that I was entering the grey shade that existed in the world centuries ago but hardly people talked about it. Even now too most people avoid talking about sexuality. Well, the more I probed into this, the deeper I dived into it. I came across many factors that I thought to put into words and let the world know about the darker side of this arena called “sexuality”. So, what now you are holding in your hand is something not filled with several colors but it definitely has some shades. And I urge you not to judge the characters without keeping yourself in their shoes. This book will take you to the world which you might have heard about it but have not observed it yet. Remember! Love is love and it needs not any validation about your attributes or your professed sexuality.

This book acts as a window into 18th-century life in France and England and presents the period extraordinary. The witty dialogues, mixed with a suspenseful story of vengeance, great characters, and the ability to break the genre rules, makes this work stand out. Heyer writes vivid, opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones. Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

The words that you read in this book will force you to use your imagination beyond what you already do. Diction that creates smiles, frowns, laughs, feelings that create something of a real world only with a writers touch. Words that will move you, words that will make you read this book over and over again. The diction challenges your mind to uncover not only what is being said, but also what is being lived. Challenge yourself to understand it, and then relate to it. Take something from it and continue to live your life, but live your life for you, and no one else. It’s your freedom.... now LIVE.