An elucidation of ideas and insights generated by the paradigm of "early vision," presented in the form of dialogues.

Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and

This book constitutes the refereed proceedings of the 4th IEEE Tutorial and Research Workshop on Perception and Interactive Technologies for Speech-Based Systems, PIT 2008, held in Kloster Irsee, Germany, in June 2008. The 37 revised full papers presented together with 1 invited keynote lecture were carefully selected from numerous submissions for inclusion in the book. The papers are organized in topical sections on multimodal and spoken dialogue systems, classification of dialogue acts and sound, recognition of eye gaze, head poses, mimics and speech as well as combinations of modalities, vocal emotion recognition, human-like and social dialogue systems, and evaluation methods for multimodal dialogue systems.

The Routledge Guidebook to Berkeley’s Three Dialogues is an engaging introduction to the last of a trio of works that cemented Berkeley’s position as one of the truly great philosophers of the western canon. Berkeley’s distinctive idealist philosophy has been a challenge and inspiration for thinkers ever since. Written for readers approaching this seminal work for the first time, this book: provides the philosophical context in which Three Dialogues was written; critically discusses the arguments in each of the Three Dialogues; and examines some of the principal disputes concerning the interpretation of his work. The Routledge Guidebook to Berkeley’s Three Dialogues offers a clear and comprehensive guide to this ground-breaking volume and includes further reading sections at the end of each chapter. This is essential reading for anyone who wants to understand this influential work.

Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natural philosophers. Covering a wealth of literary, theological, and pedagogical texts that engage with astronomy, optics, ophthalmology, and the body, it argues for the significance of analogies for conceptualising and explaining new scientific ideas. As well as identifying their use in religious and topographical poetry, the book addresses how analogies are visible in material culture through objects such as orreries, camera obscuras, and aeolian harps. It makes the vital claim that scientific concepts become intertwined with Christian discourse through reinterpretations of origins and signs, the scope of the created universe, and the limits of embodied knowledge.

In The Gatekeeper: Narrative Voice in Plato’s Dialogues Margalit Finkelberg offers the first narratological analysis of all of Plato’s transmitted dialogues. The book explores the dialogues as works of literary fiction, giving special emphasis to the issue of narrative perspective.

In this highly original account of Bishop George Berkeley's epistemological and metaphysical theories, George S. Pappas seeks to determine precisely what doctrines the philosopher held and what arguments he put forward to support them. Specifically, Pappas overturns accepted opinions about Berkeley's famous attack on the Lockean doctrine of abstract ideas. Berkeley's criticism of these ideas had been thought relevant only to his views on language and to his nominalism; Pappas persuasively argues that Berkeley's ideas about abstraction are crucial to nearly all of the fundamental principles that he defends.Pappas demonstrates how an adequate appreciation of Berkeley's views on abstraction can lead to an improved understanding of his important principle of esse is percipi, and of the arguments Berkeley proposes in support of this principle. Pappas also takes up Berkeley's widely rejected claim to be a philosopher of common sense. He assesses the validity of this self-description and considers why Berkeley might have chosen to align himself with a commonsense position. Pappas shows how three core concepts—abstraction, perception, and common sense—are central to and interdependent in the work of one of the major figures of early modern Western thought.