When Ally sells her soul in exchange for popularity, it's up to Jane to put it all on the line to save her friend.

A RITA award-winning novel from the New York Times–bestselling author of An Unwilling Bride. “Today’s most skillful writer of intelligent historical romance” (Publishers Weekly, starred review) takes readers into the heart of the most mysterious, most powerful, most seductive Georgian aristocrat of them all: the Marquess of Rothgar. Two of the strongest wills in England clash when Lord Rothgar is commanded by the king to escort the fiercely independent Diana Westmount, Countess of Arradale, to London. Though Rothgar has become a master at resisting temptation, Diana proves a challenge to his steely resolve. A moment of peril—and a night of passion—melt his icy self-control, and he must find the strength to surrender his heart to another... “Jo [Beverley] has truly brought to life a fascinating, glittering, and sometimes dangerous world.”—New York Times–bestselling author Mary Jo Putney “Beverley beautifully captures the flavor of Georgian England. . . . Her fast-paced, violent, and exquisitely sensual story is one that readers won’t soon forget.”—Library Journal “Another triumph.”—Affaire de Coeur

Ordered by the king to escort the fiery, willful Countess of Arradale to London, Lord Rothgar finds his own famous willpower tested by the lovely temptress. Original.

Scientist and intellectual Dr Foster has spent her vacation trying out magic rituals. She tells herself it's a scientific experiment, but when nothing seems to work, she's surprised at her own disappointment. After failing to summon a demon from hell, she gives up... then a stranger knocks.The Faust story is back again, in a modern setting, with the relentless focus of a play for two. Dr Foster is one of us - fearlessly curious, with shades of light and dark. The mysterious stranger makes her look deep into her own soul, and ask questions that she never even considered. Why be good? Am I good? What will happen when I die? Or is this life all there is?He makes a promise that leads her down a road where lust and violence meet science and spirituality... and that's just the first half!The rest is sex, murder, intrigue, mystery and much more... are you sure of what you think you saw?

​Dorothy “Dot” Araiza is a sex-toy maker by trade. One would think she has an active social life, but on the contrary, her existence is a rather boring, one. Dot dreams of being swept off her feet by Prince Charming—not to mention getting laid after 8 pathetic years! One lightning storm later, all her fantasies will come true. But Prince Charming isn't quite what she'd expected.

Advocates for the Lord and the Devil discuss six of Jesus' parables in this intriguing set of no holds barred verbal exchanges. The stark contrast of the Devil's enticements with the Lord's redeeming message provides a stimulating vehicle for seriously confronting basic issues of faith, while reaffirming the Good News of God's ultimate victory. A fascinating resource for personal spiritual growth; The Devilish Dialogues is also a model for captivating sanctuary, classroom, and retreat presentations, and is especially well-suited for weekly Lenten programming.

Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx