A response to myriad crises of public policy, this important and original book contributes to a growing debate, arguing that traditional technocratic ways of designing policy are inadequate to cope with increasingly complex challenges. Drawing on twelve compelling international contributions from practitioners, policy makers, activists, and actively engaged academics,Rethinking Public Policy-Making uses ideas of power to explore how genuine democratic involvement in the policy process from outside the political elite can shape society for the better. An indispensable resource for researchers and students of public policy, public administration, sociology, and politics, this book offers profound insight into why and how to generate change in policy processes, arguing for increased experimentation in policy design.

This book examines user and community co-production of public services and outcomes, currently one of the most discussed topics in the field of public management and policy. It considers co-production in a wide range of public services, with particular emphasis on health, social care and community safety, illustrated through international case studies in many of the chapters. This book draws on both quantitative and qualitative empirical research studies on co-production, and on the Governance International database of more than 70 international co-production case studies, most of which have been republished by the OECD. Academically rigorous and systematically evidence-based, the book incorporates many insights which have arisen from the extensive range of research projects and executive training programmes in co-production undertaken by the author. Written in a style which is easy and enjoyable to read, the book gives readers, both academics and practitioners, the opportunity to develop a creative understanding of the essence and implications of co-production.

Offering a critical examination of the nature of co-produced research, this important new book draws on materials and case studies from the ESRC funded project ‘Imagine – connecting communities through research’. Outlining a community development approach to co-production, which privileges community agency, the editors link with wider debates about the role of universities within communities. With policy makers in mind, contributors discuss in clear and accessible language what co-production between community groups and academics can achieve. The book will be valuable for practitioners within community contexts, and researchers interested in working with communities, activists, and artists.

This Handbook provides a comprehensive and authoritative account of the movement towards co-production of public services and outcomes, a topic which has recently become one of the most intensely debated in public management and administration, both in practice and in the academic literature. It explores in depth the processes of co-commissioning, co-design, co-delivery and co-assessment as major approaches to co-production through citizen voice and citizen action and as key mechanisms in the co-creation of public value. The key debates in the field are fully explored in chapters from over 50 eminent authors in the field, who examine the roots of co-production in the social sciences, the growth of co-production in policy and practice, its implementation and management in the public domain, and its governance, including its negative aspects (the ‘dark side’ of co-production). A final section discusses different aspects of the future research agenda for co-production.

The Impact of Co-Production brings together scholars, artists, practitioners, and community activists to explore the possibilities for--and tensions of--social justice work through collaboration between communities and the academy. Amid a widespread institutional emphasis on increased involvement and co-production with the community, what can we expect when long-established community-oriented research practices collide with the day-to-day work of activism? How should we think about the key tenets and terms of that research, and the ongoing critique of them mounted by activists, artists, and other community members? Deploying case studies from the United Kingdom, Australia, Sweden, and Canada, and taking in universities, independent research organizations, and museums and galleries, this book breaks new ground in our understanding of the possibilities, and pitfalls, of co-production.

Co-production and co-creation occur when citizens participate actively in delivering and designing the services they receive. It has come increasingly onto the agenda of policymakers, as interest in citizen participation has more generally soared. Expectations are high and it is regarded as a possible solution to the public sector’s decreased legitimacy and dwindling resources, by accessing more of society’s capacities. In addition, it is seen as part of a more general drive to reinvigorate voluntary participation and strengthen social cohesion in an increasingly fragmented and individualized society. "Co-Production and Co-Creation: Engaging Citizens in Public Services" offers a systematic and comprehensive theoretical and empirical examination of the concepts of co-production and co-creation and their application in practice. It shows the latest state of knowledge on the topic and will be of interest both to students at an advanced level, academics and reflective practitioners. It addresses the topics with regard to co-production and co-creation and will be of interest to researchers, academics, policymakers, and students in the fields of public administration, business administration, economics, political science, public management, political science service management, sociology and voluntary sector studies.