After the attack on Pearl Harbor, everything changed for Yoshiko Uchida. Desert Exile is her autobiographical account of life before and during World War II. The book does more than relate the day-to-day experience of living in stalls at the Tanforan Racetrack, the assembly center just south of San Francisco, and in the Topaz, Utah, internment camp. It tells the story of the courage and strength displayed by those who were interned. Replaces ISBN 9780295961903

Autobiographical account of the internment of the Japanese American author's family in 1942.

Israel in Exile is a bold exploration of how the ancient desert of Exodus and Numbers, as archetypal site of human liberation, forms a template for modern political identities, radical skepticism, and questioning of official narratives of the nation that appear in the works of contemporary Israeli authors including David Grossman, Shulamith Hareven, and Amos Oz, as well as diasporic writers such as Edmund Jabès and Simone Zelitch. In contrast to other ethnic and national representations, Jewish writers since antiquity have not constructed a neat antithesis between the desert and the city or nation; rather, the desert becomes a symbol against which the values of the city or nation can be tested, measured, and sometimes found wanting. This book examines how the ethical tension between the clashing Mosaic and Davidic paradigms of the desert still reverberate in secular Jewish literature and produce fascinating literary rewards. Omer-Sherman ultimately argues that the ancient encounter with the desert acquires a renewed urgency in response to the crisis brought about by national identities and territorial conflicts.

After Pearl Harbor, little Marie Mitsui’s typical life of school and playing with friends in San Francisco is upended. Her family and thousands of others of Japanese heritage are under suspicion and forcibly relocated to internment camps far from home. Living conditions in the camps are harsh, but in the end Marie finds freedom and hope for the future. Told from a child’s perspective, The Little Exile deftly conveys Marie’s innocence, wonder, fear, and outrage. This work of autobiographical fiction is based on the author’s own experience as a wartime internee. Jeanette Arakawa was born in San Francisco in 1932 and was interned in the 1940s at the Rohwer War Relocation Center in Arkansas.

More than a century after John Wesley Powelllaunched his boat on the Green River, Ellen Meloy spent eight years of seasonal floats through Utah's Desolation Canyon with her husband, a federal river ranger. She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.

This sophisticated and comprehensive study is the first to situate Japanese American women's writing within theoretical contexts that provide a means of articulating the complex relationships between language and the body, gender and agency, nationalism and identity. Through an examination of post-World War II autobiographical writings, fiction, and poetry, Traise Yamamoto argues that these writers have employed the trope of masking—textually and psychologically—as a strategy to create an alternative discursive practice and to protect the self as subject. Yamamoto's range is broad, and her interdisciplinary approach yields richly textured, in-depth readings of a number of genres, including film and travel narrative. Looking at how the West has sexualized, infantilized, and feminized Japanese culture for over a century, she examines contemporary Japanese American women's struggle with this orientalist fantasy. Analyzing the various constraints and possibilities that these writers negotiate in order to articulate their differences, she shows how masking serves as a self-affirming discourse that dynamically interacts with mainstream culture's racial and sexual projections.

When her father left Japan, his mother told him never to return: there was no future there for him. Shinji Sato arrived in California determined to plant his roots in the Land of Opportunity even though he could not become a citizen. He and his wife started a farm and worked in the fields together with their nine children. At the outbreak of World War II, when Kiyo, the eldest, was 18, the Satos were ordered to Poston Internment Camp. Though they had lived the US for two decades and their children were citizens, they were suddenly uprooted and imprisoned by the government.