A charming series debut featuring two American sleuths in Paris, this traditional mystery is perfect for fans of M. L. Longworth and Juliet Blackwell The only thing chillier than a Parisian winter is cold-blooded murder. When French financier Edgar Bowen drowns in a bowl of soup, his former girlfriend, American Rachel Levis, is alarmed by the unnatural death. Who dies eating a nice vichyssoise? But when she overhears a mourner at his funeral describing the circumstances of his death, something sounds even stranger: a bottle of rosé was on the dining table when he died. The only problem: Edgar loathed rosé. If he wasn’t drinking it, who was? After the police rule the death accidental, Rachel knows it’s up to her and her best friend Magda to investigate. As the two Americans immerse themselves in Edgar’s upper-class world, the list of suspects grows: Could it have been his son, who inherited his money and lavish apartment? His icy ex-wife? His greedy new girlfriend? His impoverished personal assistant? But when the suspects start dropping like flies, Rachel and Magda realize the murderer is tying up loose ends. It’ll be up to two amateur sleuths to solve their first case before the murderer decides they’re next...

The gripping, true story of a brutal serial killer who unleashed his own reign of terror in Nazi-Occupied Paris. As decapitated heads and dismembered body parts surfaced in the Seine, Commissaire Georges-Victor Massu, head of the Brigade Criminelle, was tasked with tracking down the elusive murderer in a twilight world of Gestapo, gangsters, resistance fighters, pimps, prostitutes, spies, and other shadowy figures of the Parisian underworld. But while trying to solve the many mysteries of the case, Massu would unravel a plot of unspeakable deviousness. The main suspect, Dr. Marcel Petiot, was a handsome, charming physician with remarkable charisma. He was the “People’s Doctor,” known for his many acts of kindness and generosity, not least in providing free medical care for the poor. Petiot, however, would soon be charged with twenty-seven murders, though authorities suspected the total was considerably higher, perhaps even as many as 150. Petiot's trial quickly became a circus. Attempting to try all twenty-seven cases at once, the prosecution stumbled in its marathon cross-examinations, and Petiot, enjoying the spotlight, responded with astonishing ease. Soon, despite a team of prosecuting attorneys, dozens of witnesses, and over one ton of evidence, Petiot’s brilliance and wit threatened to win the day. Drawing extensively on many new sources, including the massive, classified French police file on Dr. Petiot, Death in the City of Light is a brilliant evocation of Nazi-Occupied Paris and a harrowing exploration of murder, betrayal, and evil of staggering proportions.

On March 29, 1971, a Canadian was found brutally murdered in a small Paris apartment. The victim, François Mario Bachand, was a radical member of the separatist Front de Libération du Québec (FLQ), the terrorist group that had been causing havoc in Canada, planting bombs and carrying out kidnappings. Bachand served a jail term in the early 1960s, and after his release he was considered a loose cannon, heartily despised by many associates. It was widely believed that the FLQ had killed one of its own. Twenty years after Bachand died in Paris, author Michael McLoughlin came across a single document in the National Archives of Canada that shed an eerie new light on the circumstances of Bachand's death. The murder, McLoughlin discovered, was not so simple after all. And the deeper he dug, the more complicated - and disturbing - the case became. Last Stop, Paris analyzes the shocking circumstances surrounding Bachand's murder. McLoughlin carefully reconstructs the secret meeting that determined Bachand's fate and the events that led to his assassination on the March day in Paris. It also follows the movements of the FLQ and the RCMP Security Service, and reveals the close international connections that tied revolutionary groups of the later 1960s and 1970s - from Cuba to Europe to the Middle East - to underground agents of the CIA, MI5, and French intelligence. A revealing look at the international web of terrorism and government intelligence, Last Stop, Paris is an explosive examination of the secrets, betrayals and violence that characterized the most tumultuous period in Canada's recent history.

The living and the dead cohabited Paris until the late 18th century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances. Working across a broad range of disciplines this book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

Well-traveled journalist Glass (The Tribes Triumphant, 2006, etc.) reckons with a handful of intrepid Americans who stuck it out in Paris during the Nazi occupation. Of the 30,000 Americans who lived in Paris before World War II, the author estimates that about 5,000 stayed after Germany invaded Poland in 1939, despite warnings to leave by American Ambassador William Bullitt. When the Nazis marched triumphantly through Paris in June 1940, the French premier had fled, essentially leaving Bullitt, who helped convince the Nazis not to bomb the city, in charge. Americans did not have cause to fear the Germans, as the United States would not declare war on Germany for another two years. Jews and blacks, however, were most often deported to camps. The remaining Americans were able to move rather fluidly between the French and German sides, and sometimes their loyalties grew murky and questionable. In alternating chapters that delineate the daily tension of four years in Occupied Paris, Glass pursues some of the notable American characters who congregated at the protected American sites, including Countess Clara Longworth de Chambrun, a Cincinnati heiress married to a French banker (and descendent of the Marquis de Lafayette), who was steadfast in keeping the American Library running during the Occupation; millionaire industrialist Charles Bedaux, who opened his country estate to marvelous collaborationist parties and later faced charges of treason; stalwart Yankee doctor Sumner Jackson, who tended prisoners and wounded at the American Hospital in Neuilly; and Sylvia Beach, American bookseller and publisher of James Joyce, who eventually had to close her seminal Shakespeare and Company store under Nazi threat of confiscation. "Everybody we knew was for resistance," she declared righteously. Most of Glass's tales aren't quite so clear-cut, but they illuminate a dark, fascinating period in World War II history. Copyright ©Kirkus Reviews, used with permission.

In a cemetery on the outskirts of Paris lie the bodies of a hundred of what many have called the first casualties of global climate change. They are the so-called abandoned or forgotten victims of the worst natural disaster in French history, the devastating heat wave that struck France in August 2003, leaving 15,000 people dead. They are those who died alone in Paris and its suburbs, buried at public expense when no family claimed their bodies. They died (and to a great extent lived) unnoticed by their neighbors, discovered in some cases only weeks after their deaths. And as with the victims of Hurricane Katrina, they rapidly became the symbols of the disaster for a nation wringing its hands over the mismanagement of the heat wave and the social and political dysfunctions it revealed. "Chasing Ghosts" tells the stories of these victims and the catastrophe that took their lives. It explores the official story of the crisis and its aftermath, as presented by the media and the state; the anecdotal lives and deaths of its victims, and the ways in which they illuminate and challenge typical representations of the disaster; and the scientific understandings of catastrophe and its management. It is at once a social history of risk and vulnerability in the urban landscape, and an ethnographic account of how a city copes with dramatic change and emerging threats.