"Death Comes for the Archbishop was published in 1927. It is widely considered Cather’s masterpiece, centers on a pair of French missionaries working among Hispanic, Navajo, and Pueblo people of the New Mexico desert. It is the story of Father Latour and Father Valilan. They are just over seventeen years old as they enter seminary together in France and then live together in the Mission, one as bishop, the other as his vicar, with a great love for whatever God asks of them, not shutting themselves away in the diocese to pray from morning till night, but visiting people, new places, old missions and parishes in inaccessible and remote areas... from Durango to Taos, living for and with the people they met. The friendship between the two priests is beautiful, melancholy and yet respectful of each other's will and emotional feeling. The novel was reprinted in the Modern Library series in 1931. It was included in Life Magazine's list of 100 outstanding books from 1924-1944. It was also included in Time Magazine's list of the top 100 English-language novels from 1923 to 2005 and in Modern Library's list of the top 100 English-language novels of the 20th century and was selected by Western Writers of America to be ranked 7th on the list of the best "Western novels" of the 20th century.

Set in the 1850s, this short novel is about the struggles and triumphs of a bishop, Jean Marie Latour, and his loyal friend and vicar, Father Joseph Vaillant. They have been sent to reawaken and spread the Roman Catholic faith in an area where it has grown weak: New Mexico, recently annexed by the United States. Desolate and remote, the territory is home to many diverse groups: Mexicans, including those on ranches established for hundreds of years; Indians, who have been there much longer and who are divided by language and customs into thirty nations; and newcomers—hunters, fur trappers, and those seeking gold. This book is as much their story as it is the story of the priests and the vast changes the land itself underwent in those years. Death Comes for the Archbishop was a departure for Willa Cather, who had already published eight novels before publishing this one in 1927. The novel doesn’t try to follow a single unified story the way many historical novels do; instead, its nine chapters are episodic, filled with stories, legends, histories, and descriptions of the Southwest, which Cather had been visiting for many years before she started writing it. Many of its main characters, including the bishop and his vicar, are thinly disguised versions of real-life historical figures, while other famous New Mexicans of the day, including the frontiersman Kit Carson and the “powerful old priest,” Antonio José Martínez, appear under their actual names. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Two French missionaries make their way to the harsh, unexplored, mountainous region of New Mexico in the hope of revivifying there the religion that had been brought by Spanish priests and then left to decay in the hands of an insubordinate and materialistic clergy.

"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears inWilla Cather on Writing, a collection of essays and letters first published in 1949. In the course of it Cather writes, with grace and piercing clarity, about her own fiction and that of Sarah Orne Jewett, Stephen Crane, and Katherine Mansfield, among others. She concludes, "Art is a concrete and personal and rather childish thing after all—no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself—a game of make-believe, of re-production, very exciting and delightful to people who have an ear for it or an eye for it."

"Shadows on the Rock" is a historical novel written by the American author Willa Cather. The book was published in 1931 and is set in the 17th century in colonial New France, specifically in Quebec City. The novel focuses on the lives of the early French settlers and the challenges they faced while establishing a life in the rugged wilderness of North America. The central character is Cécile Auclair, a young girl who, with her father, makes the difficult journey from France to Quebec to join her mother. The novel provides a vivid portrayal of daily life, relationships, and the interactions between the French settlers and the indigenous people of the region. "Shadows on the Rock" is known for its rich historical detail and evocative descriptions of the landscape and characters. Willa Cather's storytelling captures the enduring spirit and resilience of the early settlers in North America. The novel is celebrated for its historical accuracy and its exploration of the human experience in a challenging and often harsh environment.

This first publication of the letters of one of America’s most consistently admired writers is both an exciting and a significant literary event. Willa Cather, wanting to be judged on her work alone, clearly forbade the publication of her letters in her will. But now, more than sixty-five years after her death, with her literary reputation as secure as a reputation can be, the letters have become available for publication. The 566 letters collected here, nearly 20 percent of the total, range from the funny (and mostly misspelled) reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through those from her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and during her growing eminence as a novelist. Postcards and letters describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Written to family and close friends and to such luminaries as Sarah Orne Jewett, Robert Frost, Yehudi Menuhin, Sinclair Lewis, and the president of Czechoslovakia, Thomas Masaryk, they reveal her in her daily life as a woman and writer passionately interested in people, literature, and the arts in general. The voice heard in these letters is one we already know from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. The Selected Letters is a deep pleasure to read and to ponder, sure to appeal to those with a special devotion to Cather as well as to those just making her acquaintance.

There is something epic-and almost mythic-about this sparsely beautiful novel by Willa Cather, although the story it tells is that of a single human life, lived simply in the silence of the desert. In 1851 Father Jean Marie Latour comes as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows-gently, although he must contend with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. One of these events Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.