This thoroughly updated version of an archaeological classic, featuring the fictional archaeologist Hannah Green and her shovelbum nephew, allows students to learn the basics of archaeological theory while puzzling out a mysterious turn of events.

The dread of death has appeared throughout recorded human history in art, literature, song, myth, and ritual. In both ancient and modern societies, the spectre of death has always been with us, stalking the terrified living who seek to avoid its inevitable arrival. Our attempts to respond to the finitude of life range from ancient burial customs such as mummification to computerised chatbots which imitate the personality of those who have departed. Such efforts speak to the uniqueness of humans in their awareness of their own mortality. Yet death is not to be feared. Indeed, it may hold the key to living a vital, authentic life. The many authors of this volume argue persuasively that we cannot live fully without complete acceptance of the fragility and finiteness of life. This unique book explores the dread of death and its management from a wide range of perspectives with researchers and writers from a variety of cultures, academic traditions and disciplines across the globe. The fields covered are broad — including palliative care and grief, psychodynamic theory, social, developmental and clinical psychology, sociology and anthropology, counselling practice as well as history, art, and philosophy. Not only is this book a fascinating journey into the very core of the human psyche, it is also a guide to our psychological health. The challenge we all face is to discover pathways to an acceptance of death that enables a life of significance and meaning. Read, learn, and explore what an examination of the dread of death can bring to one’s life.

What is the legacy of Theory after the deaths of so many of its leading lights, from Jacques Derrida to Roland Barthes? Bringing together reflections by leading contemporary scholars, Dead Theory explores the afterlives of the work of the great theorists and the current state of Theory today. Considering the work of thinkers such as Derrida, Deleuze, and Levinas, the book explores the ways in which Theory has long been haunted by death and how it might endure for the future.

"This is easily Baudrillard’s most important work.... Anyone who wants to understand the complexity and provocativeness of Baudrillard’s richest period must read this text." – Douglas Kellner

The Death of Archaeological Theory? addresses the provocative subject of whether it is time to discount the burden of somewhat dogmatic theory and ideology that has defined archaeological debate and shaped archaeology over the last 25 years. Seven chapters meet this controversial subject head on, also assessing where archaeological theory is now, and future directions. John Bintliff questions what theory is and argues that archaeologists should be freed from 'Ideopraxists', or those who preach that a single approach or model is right to the exclusion of all others. Marc Pluciennik again questions what we mean by archaeological theory and argues that the role of intellectual fashion is underestimated. He predicts pressure from outside archaeology to redirect our dominant theories towards genetic and human impact theory. Kristian Kristiansen argues that theory cannot die, but it can change direction and sees signs of a retreat from the present postmodern and postprocessual cycle towards a more science based, rationalistic cycle of revived modernity. To Mark Pearce the most striking thing about the present state of archaeological theory is that there is no emerging paradigm to be discerned; he proposes that Theory is not dead, but has instead become more eclectic and nuanced. Two papers offer a different perspective from other areas of the world; Alexander Gramsch examines the issue from the German tradition and shows that in Central and Eastern Europe not only has Anglo-American Theory had limited impact, but current discussions on the future of method and theory offer a broader view of the discipline in which older traditions are seen to form the foundation. Kent Flannery and Joyce Marcus demonstrate that American archaeologists do not foresee the death of a genuinely archaeological theory (which they believe has never existed) but fear the real catastrophe would be the death of anthropological theory, because some anthropology today has become decidedly antiscientific, rejecting not only the controlled comparison and contrast of cultures, but also the use of generalization, both of which are crucial to theories and models and without which the longue durée will always be invisible.

Until the 1940s, when awareness of Russian Formalism began to spread, literary theory remained almost exclusively a Russian and Eastern European invention. The Birth and Death of Literary Theory tells the story of literary theory by focusing on its formative interwar decades in Russia. Nowhere else did literary theory emerge and peak so early, even as it shared space with other modes of reflection on literature. A comprehensive account of every important Russian trend between the world wars, the book traces their wider impact in the West during the 20th and 21st centuries. Ranging from Formalism and Bakhtin to the legacy of classic literary theory in our post-deconstruction, world literature era, Galin Tihanov provides answers to two fundamental questions: What does it mean to think about literature theoretically, and what happens to literary theory when this option is no longer available? Asserting radical historicity, he offers a time-limited way of reflecting upon literature—not in order to write theory's obituary but to examine its continuous presence across successive regimes of relevance. Engaging and insightful, this is a book for anyone interested in theory's origins and in what has happened since its demise.