When Di grabs a last-minute invite to a trade show, she discovers a surprise: a dead body at the host hotel. The Outdoor Industry Trade Show has vendors from archery and firearms companies, a thirty-foot-tall foam yeti named Karma, and at least one killer. Di, roommate Mary, and Great Dane Moo will have to discover who killed hunting personality Cash and why. But digging into the cutthroat world of outdoor TV shows means the hunter can become the hunted. A wholesome, cozy mystery for every sleuth in the family. This is the third book in a brand-new series set at the fictional Westmound Center for Competitive Shooting Sports in rural Wyoming. Fun or Comedy, Hobby Mystery, Amateur Sleuth, Female Protagonist, Archery or Sport Mystery, Cozy Mystery Series, Dog or Pet Detective, Recurve Archery

With pitch perfect prose, Death at the Fair is full of intelligent plot twists that will keep readers on the edge of their seats to the final page. Set during the Worldâs Columbian Exposition in Chicago, an implacable murderer sets out to claim vengeanceâor so it seems. It is 1893 and all eyes are on the Windy City where Emily Cabot, a graduate student at the University of Chicago, is touring with her family and friends. When one of those friends is found dead, all fingers point to Dr. Stephen Chapman, one-time fiancé of the dead manâs wifeâs. Believing firmly in Dr. Chapmanâs innocence, Emily begins to uncover evidence to the contrary with the help of Ida B. Wells, the famous anti-lynching crusader. Together the women must deal with thieves, gamblers, and dogmatists to uncover a truth, which is far more alarming and insidious than any reader will have imagined.

Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.

Sean Dillon is back, and the world is at stake An eminent Iranian scientist has made a startling breakthrough in nuclear weapons research, but he can’t stand the thought of his regime owning the bomb. He would run if he could, but if he does, his family dies. He is desperate, and he doesn’t know what to do. It is up to Sean Dillon and the Prime Minister’s private army to think of a plan. Most particularly, it is up to their newest member, an intelligence captain and Afghan war hero named Sara Gideon, who thinks there just might be a way to pull it off. But plans have a way of going awry. And as the operation races from Paris and Syria to Iran and the Saudi Arabian desert, the only certainty is that blood will be spilled.

A straightforward framework for creating engaging and exciting business meetings Casey McDaniel had never been so nervous in his life. In just ten minutes, The Meeting, as it would forever be known, would begin. Casey had every reason to believe that his performance over the next two hours would determine the fate of his career, his financial future, and the company he had built from scratch. “How could my life have unraveled so quickly?” he wondered. In his latest page-turning work of business fiction, best-selling author Patrick Lencioni provides readers with another powerful and thought-provoking book, this one centered around a cure for the most painful yet underestimated problem of modern business: bad meetings. And what he suggests is both simple and revolutionary. Casey McDaniel, the founder and CEO of Yip Software, is in the midst of a problem he created, but one he doesn’t know how to solve. And he doesn’t know where or who to turn to for advice. His staff can’t help him; they’re as dumbfounded as he is by their tortuous meetings. Then an unlikely advisor, Will Peterson, enters Casey’s world. When he proposes an unconventional, even radical, approach to solving the meeting problem, Casey is just desperate enough to listen. As in his other books, Lencioni provides a framework for his groundbreaking model, and makes it applicable to the real world. Death by Meeting is nothing short of a blueprint for leaders who want to eliminate waste and frustration among their teams and create environments of engagement and passion.

Four of the author's five children were murdered in a single night, then her oldest child died of cancer. She tells her incredible story then charts the path of healing for broken hearts. She explains the stages of grief and the importance of recognizing individual differences in the process.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a “fit” and “unfit” image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.