The astonishing but true story of one of the most notorious spy cases from the Cold War—and the international manhunt that seized global attention as it revealed the shadowy world of deep cover KGB operatives. The dramatic arrest in London on January 7, 1961 of five Soviet spies made headlines worldwide and had repercussions around the globe. Alerted by the CIA, Britain's security service, MI5, had discovered two British spies stealing invaluable secrets from the highly sensitive submarine research center at Portland, UK. Their controller, Gordon Lonsdale, was a Canadian who frequently visited a middle-aged couple, the Krogers, in their sleepy London suburb. But the seemingly unassuming Krogers were revealed to be deep cover American KGB spies—infamous undercover agents the FBI had been hunting for years—and they were just one part of an extensive network of Soviet operatives in the UK. In the wake of the spies' sensational trial, the FBI uncovered the true identity of the enigmatic Lonsdale—Konon Molody, a Russian who had lived in California before being recruited by the KGB. Molody opened secret talks with MI5 to betray Russia, but before he had the chance, the KGB blackmailed Britain into spy swaps for him and the Krogers. Based on revelatory, newly-released archival material and inside sources from around the world, Dead Doubles follows the hunt for the highly damaging Portland Spy Ring. As gripping as a le Carré novel, this incredible narrative, layered with false identities, deceptions, and betrayal, crisscrosses from the UK to the USSR to the US, Canada, Europe and New Zealand, and brings to life one of the most extraordinary spy stories of the Cold War.

In the Zombie apocalypse the last vampire on Earth has a hell of time keeping his food alive... A Vampire In Zombieland Coburn's been dead now for close to a century, but seeing as how he's a vampire and all, it doesn't much bother him. Or at least it didn't, not until he awoke from a forced five-year slumber to discover that most of human civilization was now dead – but not dead like him, oh no. See, Coburn likes blood. The rest of the walking dead, they like flesh. He's smart. Them, not so much. But they outnumber him by about a million to one. And the clotted blood of the walking dead cannot sustain him. Now he's starving. And on the run. And more pissed-off than a beestung rattlesnake. The vampire not only has to find human survivors (with their sweet, sweet blood), but now he has to transition from predator to protector – after all, a man has to look after his food supply.

A VAMPIRE IN ZOMBIELAND You wouldn’t like Coburn. People don’t, as a rule. And that’s okay, because he doesn’t like people much either. People are food. Five years ago, Coburn went to sleep – wasn’t exactly planned – and he’s just woken up to find most everybody in the world dead. Not dead like him; he looks human, drinks blood. He’s smart. They’re... none of those things. They outnumber him by about a million to one, and their clotted blood cannot sustain him. Now he’s starving, and on the run. He has to find blood, soon, and – like it or not – he’s gonna have to keep an eye on the frail flesh-bags he finds it in. Time for the wolf to turn shepherd. No, Coburn doesn’t like people. But he’ll have to learn to.

The first of his peerless novels of Cold War espionage and international intrigue, Call for the Dead is also the debut of John le Carré's masterful creation George Smiley. "Go back to Whitehall and look for more spies on your drawing boards." George Smiley is no one's idea of a spy—which is perhaps why he's such a natural. But Smiley apparently made a mistake. After a routine security interview, he concluded that the affable Samuel Fennan had nothing to hide. Why, then, did the man from the Foreign Office shoot himself in the head only hours later? Or did he? The heart-stopping tale of intrigue that launched both novelist and spy, Call for the Dead is an essential introduction to le Carré's chillingly amoral universe.

With his harrowing debut, Luke Mogelson provides an unsentimental, unflinching glimpse into the lives of those forever changed by war. Subtle links between these ten powerful stories magnify the consequences of combat for both soldiers and civilians, as the violence experienced abroad echoes through their lives in America. Troubled veterans first introduced as criminals in “To the Lake” and “Visitors” are shown later in “New Guidance” and “Kids,” during the deployments that shaped their futures. A seemingly minor soldier in “New Guidance” becomes the protagonist of “A Human Cry,” where his alienation from society leads to a shocking confrontation. The fate of a hapless Gulf War veteran who reenlists in “Sea Bass” is revealed in “Peacetime,” the story of a New York City medic's struggle with his inurement to calamity . A shady contractor job gone wrong in “A Beautiful Country” is a news item for a reporter in “Total Solar,” as he navigates the surreal world of occupied Kabul. Shifting in time and narrative perspective—from the home front to active combat, between experienced leaders, flawed infantrymen, a mother, a child, an Afghan-American translator, and a foreign correspondent--these stories offer a multifaceted examination of the unexpected costs of war. Here is an evocative, deep work that charts the legacy of an unprecedented conflict, and the burdens of those it touched. Written with remarkable empathy and elegance, These Heroic, Happy Dead heralds the arrival of an extraordinary new talent.

Acclaimed New York Times bestselling author Richard Kadrey creates a wonderful, stand-alone dark fantasy After her father's funeral, Zoe moved to the big city with her mother to start over. But change always brings trials, and life in the city is not so easy. Money is tight, and Zoe's only escape, as has always been the case, is in her dreams—a world apart from her troubled real life where she can spend time with her closest companion: her lost brother, Valentine. But something or someone has entered their dreamworld uninvited. And a chance encounter at a used record store, where the vinyl holds not music but lost souls, has opened up a portal to the world of the restless dead. It's here that the shop's strange proprietor offers Zoe the chance to commune with her dead father. The price? A lock of hair. Then a tooth. Then . . .

Colby Buzzell has always been a loner. An autodidact who never went to college, he was dubbed “the voice of a generation” by Robert Kurson for his daring and critically acclaimed book, My War: Killing Time in Iraq. Half a decade later, overwhelmed by the birth of his son and the death of his mother, Buzzell finds himself rudderless. Desperate to escape the constraints of his postwar existence, he packs his things, gets in the car, and, for five months, drives across America—no map, no destination. In his 1965 Mercury Comet, Buzzell travels through the bowels of a country steeped in economic turmoil and political malaise. With a bottle of whisky in one hand and a pack of cigarettes in the other, he takes us on a tour of big-box stores, grimy gas stations, abandoned warehouses, strip clubs, and flophouses. He captures the distinct voices and vivid stories of a forgotten America—Cheyenne, Omaha, Salt Lake City, Des Moines, Detroit, and San Francisco’s Tenderloin. Buzzell unearths America’s bones in all their beauty and starkness. And like the veterans of Hemingway’s Lost Generation, he struggles to reconcile his wanderlust with his responsibilities as a man and a father. Lost in America is a stunning account of the ravages of war on one individual. It also reveals deep truths about a more universal journey: the struggle to find our place in the world—without a map.