To save his wife, a Southern detective is drawn into a final showdown with his sadistic nemesis in this romantic suspense series finale. Malcolm York is a sadistic murderer. And with his endless wealth he's funded a series of depraved human hunts. The few who survived can never forget. They can only be thankful the terror is over. Until rumors start swirling . . . Griffin Powell knows the twisted depths of York's madness. He's also sure that York is dead. But then Griff's wife, Nicole, disappears. And the phone calls begin—that familiar voice taunting him, promising to destroy everything Griff loves. Using all the resources of the Powell Agency, Griff searches for Nic, aware that every step propels him further into a madman's web. Because the only way to keep Nic safe is to join one last perverse game where winner kills all, and the loser is dead by nightfall . . .

Peter and Rebecca Harris: mid-forties denizens of Manhattan's SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca's much younger look-alike brother, Ethan (known in thefamily as Mizzy, "the mistake"), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed. Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham's masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.

The dark will bring your worst nightmares to light in this gripping and eerie survival story, perfect for fans of James Dashner and Neil Gaiman. On Marin’s island, sunrise doesn’t come every twenty-four hours—it comes every twenty-eight years. Now the sun is just a sliver of light on the horizon. The weather is turning cold and the shadows are growing long. Because sunset triggers the tide to roll out hundreds of miles, the islanders are frantically preparing to sail south, where they will wait out the long Night. Marin and her twin brother, Kana, help their anxious parents ready the house for departure. Locks must be taken off doors. Furniture must be arranged. Tables must be set. The rituals are puzzling—bizarre, even—but none of the adults in town will discuss why it has to be done this way. Just as the ships are about to sail, a teenage boy goes missing—the twins’ friend Line. Marin and Kana are the only ones who know the truth about where Line’s gone, and the only way to rescue him is by doing it themselves. But Night is falling. Their island is changing. And it may already be too late.

A woman plays a game of cat and mouse with a copycat killer in this romantic suspense novel by the New York Times–bestselling author of Don’t Cry. He begins his work just before dawn, wielding a knife with the precision of a surgeon. Cunning and meticulous, he’s always in control. Mercy is not an option . . . Maleah Purdue is tough, outspoken, and completely dedicated to her work at the Powell Security Agency. But her fearless exterior shatters when a madman begins killing her colleagues one by one, mimicking a notorious serial killer already behind bars. Working alongside top profiler Derek Lawrence, Maleah will do anything to find the murderer, even if it means playing a psychopath’s twisted mind games. No one connected to the Agency is safe. No one is beyond suspicion. For as Maleah and Derek piece together the clues, they uncover a chilling legacy of lies and brutal vengeance—and a killer who has been hiding in plain sight all along . . . Praise for Dead by Morning “A great romantic suspense that grips the audience from the moment the protagonists begin to learn of the assault on Powell and never lets go as the climax diabolically leads to the next unpublished tale. The lead pair is a terrific coupling . . . However, what makes Dead by Morning super is the serial killer, who will be considered one of the vilest of the year.” —The Mystery Gazette “The popular and dependable Barton has again created an intricately plotted, thoroughly engrossing serial killer tale that satisfactorily resolves the current dilemmas but leaves a stunning cliff-hanger.” —Library Journal

The author of "Close Enough to Kill" pens the first novel in a new series set in a small Alabama town--a riveting tale of romantic suspense and serial murder. Original.

In Murder. . . The last sounds Dean Wilson hears are a clock striking twelve and a killer's taunting words. And his death is just the first. One by one, victims are stalked and shot at close range. Only the killer knows their sins, and who will be the next to die at midnight. . . And In Life. . . In the ten years since her Hollywood career imploded, Lorie Hammonds has built a good life in her Alabama hometown. When the first death threat arrives, she assumes it's a joke. Then she gets a second note. Sheriff Mike Birkett, her high-school sweetheart, has avoided Lorie since she returned to Dunmore, but when investigators uncover her connection to a string of recent murders, he's drawn into a case that's terrifyingly personal. Timing Is Everything The Darkest Sins He begins his work just before dawn, wielding a knife with the precision of a surgeon. Cunning and meticulous, he's always in control. Mercy is not an option. . . Will Always Maleah Purdue is tough, outspoken, and completely dedicated to her work at the Powell Security Agency. But her fearless exterior shatters when a madman begins killing her colleagues one by one, mimicking a notorious serial killer already behind bars. Working alongside top profiler Derek Lawrence, Maleah will do anything to find the murderer, even if it means playing a psychopath's twisted mind games. Come To Light No one connected to the Agency is safe. No one is beyond suspicion. For as Maleah and Derek piece together the clues, they uncover a chilling legacy of lies and brutal vengeance-and a killer who has been hiding in plain sight all along. . . The Fear. . . Malcolm York is a sadistic monster, guilty of unspeakable crimes. And with his endless wealth he's funded a series of depraved hunts. The few who survived can never forget. They can only be thankful the terror is over. Until rumors start swirling. . . Only Stops. . . Griffin Powell knows the twisted depths of York's madness. He's also sure that York is dead. But then Griff's wife, Nicole, disappears and the phone calls begin--that familiar voice taunting him, promising to destroy everything Griff loves. When You Die. . . Using all the resources of the Powell Agency, Griff searches for Nic, aware that every step propels him further into a madman's web. Because the only way to keep Nic safe is to join one last perverse game where winner kills all, and the loser is dead by nightfall. . .

Now that Alexandra "Alex" Donovan is finally free of her troubled upbringing, she's able to live out her childhood dream of working for the FBI. But soon after she becomes a member of the FBI's elite Behavioral Analysis Unit, authorities in Kansas and Missouri contact them about bodies found on freight trains traveling across the country--all killed in the same way. Alex never expected to be forced to confront her past in this new job, but she immediately recognizes the graffiti messages the killer is leaving on the train cars. When the BAU sends her to gather information about the messages from her aunt in Wichita, Kansas, Alex is haunted by the struggles she thought she'd left behind forever. In a race against time to solve the case while battling her own weaknesses, Alex must face how far she'll go--and what she's willing to risk--to put a stop to the Train Killer.