DigiCat Publishing presents to you this special edition of "Dawn's Left Hand" by Dorothy M. Richardson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DAWN OF INNOCENCE a novel by Manly E Hogg was written while I was out to sea during the Gulf War. I had written a poem called "The One " while standing a mid watch as Officer of the Deck. This poem led to the novel which is about a Native American college student and an African American student that meet, fall in love and then find themselves in a situation where they have to prove themselves worthy of the other parents love and respect. Dawn, the Indian girl, finds herself alone in "the hood" facing cultural differences which include a violent ex-girlfriend that does not want to accept losing her football star ex-boyfriend via her meal ticket out of the hood. Darryl, an African American finds himself alone on the reservation proving his manhood through trials and tribulations at the hands of a warrior chief grandson that refuses to accept that his meal ticket off the reservation is slipping away as Darryl meets all test given by the old warrior Chief.

A music professor finds herself mixed up in a world of vampires, immortals, and humans with extraordinary gifts in this paranormal romance. Once, Sarah Bingham’s biggest challenge was making her students pay attention in class. Now, after rescuing a wounded stranger, she’s landed in the middle of a battle between corrupt vampires and powerful immortals who also need blood to survive. Roland Warbrook is the most compelling man Sarah has ever laid hands on. But his desire for her is mingled with a hunger he can barely control… In his nine centuries of immortal existence, no woman has tempted Roland as much as Sarah. But asking her to love him is impossible—when it means forfeiting the world she’s always known, and the life he would do anything to protect… “These dark, kick-ass guardians can protect me any day!”—Alexandra Ivy New York Times bestselling author “This is a strong start in what looks to be a thrilling and chilling new paranormal series. Fantastic!”—RT Book Reviews “Electrifying, Funny, Lust-inducing, and Inventive.”—Fresh Fiction Praise for New York Times Bestselling Author Dianne Duvall's Immortal Guardians series “If you love J.R. Ward’s Black Dagger Brotherhood and Kresley Cole’s Immortals After Dark, then you need to put Dianne Duvall and her Immortal Guardians books in your reading wheelhouse.”—Literati Literature Lovers

T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.

1. The book is a complete study guide for the preparation of DU MA in English Entrance 222 2. The book is divided into 2 main sections; Literature and Grammar 3. Every chapter is accompanied with good number of practice questions 4. Model Solved papers [221-219] are provided to understand the question trends The Central University of Education (CIE) invites the applicants for admission in B.Ed (Bachelor of Education) Programme to select the potential candidates for it, Faculty of Education, in Delhi University. Bringing you the revised edition of “Delhi University, MA Master of Arts in English Entrance 222” that has been carefully and consciously designed as per the latest syllabus & Exam Pattern. Serving as a complete study guide, it is divided into chapters of Literature & Grammar. Every chapter is comprehended with good number of questions for thorough practice. Model solved Papers 221 – 219 are given to help you understand the trends of questions deeply. TOC Model Solved papers [221-219], Literature, Grammar.

How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers—chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf—profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.