Oman is one of the most beautiful and popular countries in the Middle East, yet a few years ago it was one of the world’s backwaters where visitors were discouraged. The turning point came with the takeover of power by Sultan Qaboos bin Said in 1970. This book, first published in 1979, takes the reader around the country, from the rugged Musandam peninsula in the north to the southern province of Dhofar. It builds a bridge between historical and modern Oman, describes the people and their landscapes, and the country’s indigenous arts and crafts.

Oman is one of the most beautiful and popular countries in the Middle East, yet a few years ago it was one of the world’s backwaters where visitors were discouraged. The turning point came with the takeover of power by Sultan Qaboos bin Said in 1970. This book, first published in 1979, takes the reader around the country, from the rugged Musandam peninsula in the north to the southern province of Dhofar. It builds a bridge between historical and modern Oman, describes the people and their landscapes, and the country’s indigenous arts and crafts.

Oman is the land that enchanted Marco Polo. It is the country of Sinbad the Sailor, of jinns, of ancient cities that slumber under the desert sands. The foundations of the modern Arab nation of the Sultanate of Oman were laid in 1970 by its monarch and architect, His Majesty Sultan Qaboos bin Said bin Taimur al Said, under whose watchful eye it reemerged onto the global stage and reclaimed thousands of years of its identity. Today, Oman is a modern-day oasis where the old lives in harmony with the new. People flock to its shores from all over the world for the sparkle of its beaches and the generosity of its people. The world is still discovering the magic of this ancient Arabian land, from the whiff of its legendary frankincense to the hush of its yawning deserts and the sweetness of its sticky halwa. Come immerse yourself, Oman welcomes you—marhaba!

This book focuses on the images of Oman in British travel writing from 1800 to 1970. In texts that vary from travel accounts to sailors' memoirs, complete travelogues, autobiographies, and letters, it looks at British representations of Oman as a place, people, and culture. The study discusses the current Orientalist debate suggesting alternatives to the dilemma of Orientalism. It also outlines the historical Omani-British relations, and examines the travel accounts written by several British merchants and sailors who stopped in Muscat and other Omani coastal cities in the nineteenth century. Another focus is with the works of travellers who penetrated the Interior of Oman such as James Wellsted and Samuel Miles, and the travellers who explored the southern Oman and the Empty Quarter. Finally the book looks at the last generation of British travellers who were in Oman from 1950 to 1970 employed either by oil companies or the Sultan Said bin Taimur. The gap of knowledge that this book undertakes to fill is that most of the texts under discussion have not been studied in any context.

This is the first book in more than a decade to look systematically at the foundations and practices of Oman's foreign policy and its impact on the production and distribution of oil. An expert in the history of the Sultanate of Oman, Majid Al-Khalili provides new information and a fresh analysis of the lands bordering the Arabian Sea and the Gulf of Oman. Beginning with an examination the reign of Sultan Qaboos bin Said, as well as the sultanate's geography and how location has influenced its history, Oman's Foreign Policy: Foundation and Practice analyzes Oman's foreign relations from the early 20th century until the beginning of the 21st century, providing the background to recent events. Following an analysis of the sultanate's "renaissance" in the 1970s and 1980s, the book considers how Oman's foreign policy changed in the wake of the 1991 Gulf War. It also examines historic power rivalries in the region, as well as modern conflicts that now include Iran, Iraq, and Saudi Arabia. The result is a comprehensive understanding of Oman's place in the Middle East—and its influence upon the world's changing power structure.

Until the 1970s Oman was an isolated, almost medieval kingdom, virtually unknown to the outside world. The 1970 palace coup that brought Sultan Qaboos b. Sa’id Al-Sa’id to power also brought Oman into the twentieth century. Development programmes made modernization a rapid process, and Oman’s location at the entrance to the Straits of Hormuz gave the country an increasing importance to US security interests in the Gulf region. Yet despite modernization, Oman remains an unknown land. This book, first published in 1987, dispels some of the mystery by focusing on the land, the people and the history. It explores the influences on events of trade, foreign involvement in Omani affairs, and Ibadism (the principal sect of Islam in Oman). It also emphasizes the role of the Sultan in contemporary Oman. The architect of Oman’s ‘new age’, Qaboos has overseen significant changes in the country’s political system and rapid economic growth financed by oil exports.

The Sultanate of Oman is one of the few "good news" stories to have emerged from the Middle East in recent memory. This book traces the narrative of a little-known and relatively stable Arab country whose history of independence, legacy of interaction with diverse cultures, and enlightened modern leadership have transformed it in less than fifty years from an isolated medieval-style potentate to a stable, dynamic, and largely optimistic country. At the heart of this fascinating story is Oman’s sultan, Qaboos bin Sa’id, friend to both East and West, whose unique leadership style has resulted in both domestic and foreign policy achievements during more than four decades in office. Exploring Oman from a historical perspective, Funsch examines how the country’s unique blend of tradition and modernization has enabled it to succeed while others in the region have failed. Accounts of the author’s own experiences with Oman’s transformation add rich layers of depth, texture, and personality to the narrative.