Master of new noir Dennis Lehane magnificently evokes the dignity and savagery of working-class Boston in Darkness, Take My Hand, a terrifying tale of redemption. Patrick Kenzie and Angela Gennaro’s latest client is a prominent Boston psychiatrist, running scared from a vengeful Irish mob. The private investigators know about cold-blooded retribution. Born and bred on the mean streets of blue-collar Dorchester, they’ve seen the darkness that lives in the hearts of the unfortunate. But an evil for which even they are unprepared is about to strike, as secrets that have long lain dormant erupt, setting off a chain of violent murders that will stain everything – including the truth. With razor-sharp dialogue and penetrating prose, Darkness, Take My Hand is another superior crime novel from the author of Mystic River; Gone, Baby, Gone; and Shutter Island.

In Bost, PIs Patrick Kenzie and Angela Gennaro investigate the death of an African-American cleaning lady, gunned down in a burst of Uzi fire. A tale of street gang violence and of the racial divide between black and irish.

Winter is an Earth-like planet with two major differences: conditions are semi artic even at the warmest time of the year, and the inhabitants are all of the same sex. Tucked away in a remote corner of the universe, they have no knowledge of space travel or of life beyond their own world. And when a strange envoy from space brings news of a vast coalition of planets which they are invited to join, he is met with fear, mistrust and disbelief . . . 'The Left Hand of Darkness' is a groundbreaking work of feminist science fiction, an imaginative masterpiece which poses challenging questions about sexuality, sexism and the organisation of society.

Winner of the 2023 NAACP Image Award for Outstanding Literary Work - Fiction “Deeply empathetic yet unflinching in its gaze…an unforgettable exploration of responsibility and redemption.”—Celeste Ng Inspired by true events that rocked the nation, a searing and compassionate new novel about a Black nurse in post-segregation Alabama who blows the whistle on a terrible injustice done to her patients, from the New York Times bestselling author of Wench Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies. But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them. Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten. Because history repeats what we don’t remember. Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption. “Highlights the horrific discrepancies in our healthcare system and illustrates their heartbreaking consequences.”—Essence

A beautiful, grief-stricken woman has vanished without a trace. So has the detective hired to find her. And a lot of money… Enter tough-nosed private investigators Patrick Kenzie and Angela Gennaro. Rooted in the streets of blue-collar Dorchester, they've seen it all – and survived. But this case leads them into unexpected territory: a place of lies and corruption, where trusting anyone could get them killed, and where nothing is sacred. Another superior thriller from Dennis Lehane, the bestselling and acclaimed author of Mystic River, Shutter Island, and Gone, Baby, Gone.

“Powerful and raw, harrowing, and unsentimental.” —Washington Post Book World “Chilling, completely credible….[An] absolutely gripping story.” —Chicago Tribune “Mr. Lehane delivers big time.” —Wall Street Journal In Gone, Baby, Gone, the master of the new noir, New York Times bestselling author Dennis Lehane (Mystic River, Shutter Island), vividly captures the complex beauty and darkness of working-class Boston. A gripping, deeply evocative thriller about the devastating secrets surrounding a little girl lost, featuring the popular detective team of Patrick Kenzie and Angela Gennaro, Gone, Baby, Gone was the basis for the critically acclaimed motion picture directed by Ben Affleck and starring Casey Affleck, Ed Harris, and Morgan Freeman.

From his cult classic, I Smell Esther Williams, to his wildly popular and insightful column "Wild Kingdom" appearing in Esquire magazine every month, Mark Leyner has been giving us up close and personal encounters of the most hilarious kind for over a decade. Now, in his new novel The Tetherballs of Bougainville, Leyner shares with us, long last, the quintessential coming of age story that every writer, at some point, is compelled to tell. In the novel we meet young Mark Leyner, 13-years-old to be exact, as he waits in a New Jersey prison to witness his father's execution. Adolescence is never easy, and it just so happens that this junior high schooler is on deadline to turn in a screenplay for which he has already been awarded the Vincent and Lenore DiGiacomo/Oshimitsu Polymers America Award. And, as it was for all of us during out teenage years, nothing seems to go as planned. Written as autobiography, screenplay and movie review, The Tetherballs of Bougainville twists three familiar narrative forms into an outlandishly compelling story. Leyner's use of the media-driven formats brilliantly reflects our secret, shameful and hilarious desire to experience our private lives as mass entertainment. The Tetherballs of Bougainville skewers and celebrates American pop culture in the late twentieth century. Leyner's version of our lives is so deeply funny because it is so painfully true.