"Edward Gorey presents a curious event in two parts. All cats making merry... a butterfly cat (and another one) drifting aimlessly on a summer afternoon, a cat making an entrance, cats taking a barre, an emperor cat, a cat burglar, a cheerleading cat. And others. All murderesses making trouble... Angelica Transome disposing of her infant brother, Natasha Batti-Loupstein poisoning her guests, Lettice Finding, Elspeth Lipsleigh, Miss Emily Toastwater (whose father is no more). And others.

A rare and irreverent, previously unpublished story by the late author of The Wuggly Ump profiles offbeat Saint Melissa, whose canonization occurred despite her Miracles of Destruction, through which she would induce migraines, refine lust and set supernatural traps that have yet to be sprung. 15,000 first printing.

First published in Japan in 1983, this book is now a classic in modern Japanese literary studies. Covering an astonishing range of texts from the Meiji period (1868–1912), it presents sophisticated analyses of the ways that experiments in literary language produced multiple new—and sometimes revolutionary—forms of sensibility and subjectivity. Along the way, Kamei Hideo carries on an extended debate with Western theorists such as Saussure, Bakhtin, and Lotman, as well as with such contemporary Japanese critics as Karatani Kojin and Noguchi Takehiko. Transformations of Sensibility deliberately challenges conventional wisdom about the rise of modern literature in Japan and offers highly original close readings of works by such writers as Futabatei Shimei, Tsubouchi Shoyo, Higuchi Ichiyo, and Izumi Kyoka, as well as writers previously ignored by most scholars. It also provides a new critical theorization of the relationship between language and sensibility, one that links the specificity of Meiji literature to broader concerns that transcend the field of Japanese literary studies. Available in English translation for the first time, it includes a new preface by the author and an introduction by the translation editor that explain the theoretical and historical contexts in which the work first appeared.

For four hundred years--from the first Spanish assaults against the Arawak people of Hispaniola in the 1490s to the U.S. Army's massacre of Sioux Indians at Wounded Knee in the 1890s--the indigenous inhabitants of North and South America endured an unending firestorm of violence. During that time the native population of the Western Hemisphere declined by as many as 100 million people. Indeed, as historian David E. Stannard argues in this stunning new book, the European and white American destruction of the native peoples of the Americas was the most massive act of genocide in the history of the world. Stannard begins with a portrait of the enormous richness and diversity of life in the Americas prior to Columbus's fateful voyage in 1492. He then follows the path of genocide from the Indies to Mexico and Central and South America, then north to Florida, Virginia, and New England, and finally out across the Great Plains and Southwest to California and the North Pacific Coast. Stannard reveals that wherever Europeans or white Americans went, the native people were caught between imported plagues and barbarous atrocities, typically resulting in the annihilation of 95 percent of their populations. What kind of people, he asks, do such horrendous things to others? His highly provocative answer: Christians. Digging deeply into ancient European and Christian attitudes toward sex, race, and war, he finds the cultural ground well prepared by the end of the Middle Ages for the centuries-long genocide campaign that Europeans and their descendants launched--and in places continue to wage--against the New World's original inhabitants. Advancing a thesis that is sure to create much controversy, Stannard contends that the perpetrators of the American Holocaust drew on the same ideological wellspring as did the later architects of the Nazi Holocaust. It is an ideology that remains dangerously alive today, he adds, and one that in recent years has surfaced in American justifications for large-scale military intervention in Southeast Asia and the Middle East. At once sweeping in scope and meticulously detailed, American Holocaust is a work of impassioned scholarship that is certain to ignite intense historical and moral debate.

There are a few things you should know about the artist Edward Gorey, the creator of the creatures in this sticker book! Mr. Gorey (American, 19252000) wrote and illustrated over 100 books; he also designed stage sets and costumes, wrote plays, and created the animated introduction for a TV series calledMystery!He drew a zoosize menagerie of fantastic beastssome creepy, others lovable, others monstrous or just plain oddas well as a slew of peculiar people. His characters are instantly recognizable, because he always drew them in a penandink crosshatch style. Gorey gave his creatures wonderful, playful names; for example, figbash and wuggly ump. His stories often involved mystery and intrigue; people disappearing and other bizarre mishaps. And Edward Gorey loved the ballet and was VERY fond of catssomething you might already have guessed. Lucky you! With this sticker book, you get to play with 50 of Goreys characters from several of his books, includingThe Black Doll,Category,Dancing Cats,The Doubtful Guest,The Epiplectic Bicycle, andThe Gashlycrumb Tinies. There are 185 stickers in all, with images of Count Dracula, iceskating polar bears and alligators, several figbashes in ballet slippers, children astride weird dogs, and more. Have fun stickering! 8 page softcover book with 185 reusable paper stickers (50 different designs) featuring artwork by Edward Gorey.