Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change. Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.

Six contributors discuss the state of Japanese arts during the allied occupation after the second World War. Topics include missteps by occupation censors, caution and experimentation on the part of nine artists of the era, the preservation of cultural property, and the conflicted roles of women and

This study of modern Japan traces the impact of defeat and reconstruction on every aspect of Japan's national life. It examines the economic resurgence as well as how the nation as a whole reacted to defeat and the end of a suicidal nationalism.

Japanese memories of World War II exert a powerful influence over the nation's society and culture. Michael Lucken explores how the war manifested in literature, art, film, funerary practices, and education reform, creating an idea of Japanese identity that still resonates from soap operas to the response to the Fukushima nuclear disaster.

Six decades after the end of the occupation of mainland Japan, this volume approaches the theme of the occupation’s legacies. Rather than just being a matter of administrative practices and international relations, the consequences of the US occupation of Japan transcended both the seven years of its formal duration and the bilateral relations between the two countries. Rich with fresh analyses on a range of topics, including transnational and comparative views on the occupation, the influence of Japan on the United States as well as the reverse, international perspectives on this “odd couple”, and the memory of the occupation in both countries, this book provides a greater understanding of the transtemporal, transnational and transcultural legacies of one of the crucial events of the 20th century.

An examination of the cultural aspects of U.S.-Japan relations during the postwar Occupation and the early Cold War