What is the current state of discussion in Cultural History? Which European institutions engage exclusively in Cultural History and which topics do they address? And how will Cultural History develop in the future? These and other questions are raised by European scholars in the discussion of Institutions, Themes and Perspectives of Cultural History in this volume. It provides a profound overview of contemporary developments in Scandinavia, Finland, Great Britain, Latvia, Poland, Hungary, Austria, Switzerland, Germany, Italy and Spain.

This third, revised and augmented edition of Peter Rietbergen’s highly acclaimed Europe: A Cultural History provides a major and original contribution to the study of Europe. From ancient Babylonian law codes to Pope Urban’s call to crusade in 1095, and from Michelangelo on Italian art in 1538 to Sting’s songs in the late twentieth century, the expressions of the culture that has developed in Europe are diverse and wide-ranging. This exceptional text expertly connects this variety, explaining them to the reader in a thorough and yet highly readable style. Presented chronologically, Europe: A Cultural History examines the many cultural building blocks of Europe, stressing their importance in the formation of the continent’s ever-changing cultural identities. Starting with the beginnings of agricultural society and ending with the mass culture of the early twenty-first century, the book uses literature, art, science, technology and music to examine Europe’s cultural history in terms of continuity and change. Rietbergen looks at how societies developed new ways of surviving, believing, consuming and communicating throughout the period. His book is distinctive in paying particular attention to the ways early Europe has been formed through the impact of a variety of cultures, from Celtic and German to Greek and Roman. The role of Christianity is stressed, but as a contested variable, as are the influences from, for example, Asia in the early modern period and from American culture and Islamic immigrants in more recent times. Since anxieties over Europe's future mount, this third edition text has been thoroughly revised for the late twentieth and early twenty-first centuries. Moreover, it now also includes a 'dossier' of some seventeen essay-like vignettes that highlight cultural phenomena said to be characteristic of Europe: social solidarity, capitalism, democracy and so forth. With a wide selection of illustrations, maps, excerpts of sources and even lyrics from contemporary songs to support the arguments, this book both serves the general reader as well as students of historical and cultural studies.

""Discusses the cultural history of Europe from prehistory to the modern day. Includes illustrations, maps and case studies"--Provided by publisher"--

A Cultural History of Early Modern Europe examines the relationships that developed in cities from the time of the late Renaissance through to the Napoleonic period, exploring culture in the broadest sense by selecting a variety of sources not commonly used in history books, such as plays, popular songs, sketches, and documents created by ordinary people. Extending from 1480 to 1820, the book traces the flourishing cultural life of key European cities and the opportunities that emerged for ordinary people to engage with new forms of creative expression, such as literature, theatre, music, and dance. Arranged chronologically, each chapter in the volume begins with an overview of the period being discussed and an introduction to the key figures. Cultural issues in political, religious, and social life are addressed in each section, providing an insight into life in the cities most important to the creative developments of the time. Throughout the book, narrative history is balanced with primary sources and illustrations allowing the reader to grasp the cultural changes of the period and their effect on public and private life. A Cultural History of Early Modern Europe is ideal for students of early modern European cultural history and early modern Europe.

Fully revised, updated and extended to include the momentous developments of 2020, this fourth edition of Peter Rietbergen's highly acclaimed Europe: A Cultural History is a major and original contribution to the study of Europe. The book examines the structures of culture in this part of Eurasia from the beginnings of human settlement on to the genesis of agricultural society, of greater polities, of urban systems, and the slow transitions that resulted in a (post-)industrial society and the individualistic mass culture of the present. Using both economic and socio-political analytical concepts, the volume outlines cultural continuity and change in Europe through the lenses of literature, the arts, science, technology and music, to show the continent's ever-changing identities. In a highly readable style, it expertly contextualizes such diverse and wide-ranging topics as Celtic society, the Roman legal system, the oppositions between 'elite' and 'popular' culture in pre-industrial Europe, Michelangelo's world-view, the interaction between the Enlightenment and Romanticism, the growth of a society of time and money, the appeal of fascism and other totalitarian ideologies, and the ways the songs of Sting express late twentieth-century thinking. Structured both chronologically and thematically, the text is distinctive in the attention consistently paid to the many ways Europe has been formed through its contacts with non-European cultures, especially those of Asia and the Americas. This edition concludes with an epilogue that discusses the ways Europe's recent past - including the long-term efforts at further unification, and the various forms of opposition against it - has been both interpreted and misinterpreted; the importance of globalization; and the major challenges facing Europe in the present, amongst which are the consequences of the pandemic of 2020. With a wide selection of illustrations, maps, excerpts from primary sources and even lyrics from contemporary songs to support its arguments, the text remains the definitive cultural history of Europe for both the general reader and students of European history and culture.

This major contribution to the idea of Europe sweeps the continent from its Celtic and German origins through the influence of the Greeks and Romans to the fruitful--and sometimes bloody--contacts with other cultures. Peter Rietbergen portrays Europe's history as a series of four grand phases of continuity and change set in the context of political, social and economic developments. These phases are new forms of: surviving; believing; looking at man and the world; and consumption and communication. Rietbergen's descriptions are supported by a selection of illuminating excerpts such as: Chaucer's description of London in 1378; Michelangelo on Italian art; and popular music lyrics of Iron Maiden and Sting.

Ranging widely across countries and centuries, National Thought in Europe critically analyzes the growth of nationalism from its beginnings in medieval ethnic prejudice to the romantic era’s belief in a national soul. A fertile pan-European exchange of ideas, often rooted in literature, led to a notion of a nation’s cultural individuality that transformed the map of Europe. By looking deeply at the cultural contexts of nationalism, Joep Leerssen not only helps readers understand the continent’s past, but he also provides a surprising perspective on contemporary European identity politics.