As you'll find out in this guide to the fundamentals of cubism, there is more to the genre than its most famous proponent. Cubism -- often identified by flattened, geometric shapes, overlapping, simplified forms and fragmented spatial planes -- was quite possibly the most influential movement in 20th-century art. Featured artists: Pablo Picasso, Edmond Fortier, Paul Cizanne, George Braque, Henri Le Fauconnier, Jean Metzinger, Fernand Liger, Juan Gris, Albert Gleizes, Henri Laurens, Salvador Dalm, Brassao, Robert Delaunay, Raymond Duchamp-Villon... TASCHEN's Basic Art movement and genre series: includes a detailed introduction with approximately 30 photographs, and a timeline of the most important events (political, cultural, scientific, sporting, etc.) that took place during the time period. The body of the book contains a selection of the most important works of the epoch; each is presented on a 2-page spread with a full page image and, on the facing page, a description/interpretation.

Tells the history of cubism and includes a illustrations.

This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics.

Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.

This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -

Discusses Cubism in art and the artists who used the Cubist style.

Værker fra Picasso's kubistiske periode