C. S. Lewis was an accomplished scholar, writer, and Christian apologist. His incredible insights and wonderful stories have long been a favorite of the LDS community, and he has been referenced thousands of times throughout LDS writings. Even Shakespeare pales in comparison to the number of times C. S. Lewis has been quoted by Mormon authors, scholars, and General Authorities to illustrate doctrinal truths. Lewis had a knack of speaking for "every man" and gave us modern parables for Christian living. All can relate to his testimony of Christ and his practical understanding of how to put gospel teachings into practice today. C. S. Lewis: Latter-day Truths in Narnia explores Lewis's life, his writings, and his influence on LDS writers, scholars, and authorities. Lewis realized that life is more than what we see and deeper than what we feel. Whether or not you are familiar with Lewis's nonfiction works or his fictional characters, you will enjoy reading about his powerful testimony of Jesus Christ.

C. S. Lewis was an accomplished scholar, writer, and Christian apologist. His insights and stories have long been a favorite of the LDS community, and he has been referenced thousands of times throughout LDS writings. Even Shakespeare pales in comparison to the number of times C. S. Lewis has been quoted by Mormon authors, scholars, and General Authorities to illustrate doctrinal truths. Lewis had a knack of speaking for "every man" and gave us modern parables for Christian living. All can relate to his testimony of Christ and his practical understanding of how to put gospel teachings into practice today. C. S. Lewis: Latter-day Truths in Narnia explores Lewis's life, his writings, and his influence on LDS writers, scholars, and authorities. Lewis realized that life is more than what we see and deeper than what we feel. Whether or not you are familiar with Lewis's nonfiction works or his fictional characters, you will enjoy reading about his powerful testimony of Jesus Christ.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.

Do you read The Chronicles of Narnia sensing that the stories are full of biblical parallels, even if you're not always sure what they are or where to find them? This user-friendly companion to The Chronicles of Narnia is written for C. S. Lewis readers like you who want to discover the books' biblical and Christian roots. Read it, and you'll find that this chapter-by-chapter, book-by-book examination of The Chronicles will widen your spiritual vision.

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains conna?tre knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

When ten-year-old Anne Waller from Suffolk England wrote to C. S. Lewis in 1961 with a question about The Chronicles of Narnia she never expected to receive a reply. However, not only did Lewis answer her letter, he also outlined the spiritual themes in each of the Narnia books. That letter served as inspiration for Will Vaus to write The Hidden Story of Narnia. Nearly 50 years later, Anne Waller Jenkins has written a preface for The Hidden Story, praising the author's "gift of clarity" and the "sheer joy and merriment" of his style.