The second bestselling novel in the compelling Duffy and Macintosh series, following on from Cry of the Curlew. "The home grown version of Wilbur Smith" The Sunday Age A riveting tale of love, death and revenge. Soldier of fortune Michael Duffy returns to colonial Sydney on a covert mission and with old scores to settle, still enraged by a bitter feud between his family and the ruthless Macintoshes. The Palmer River gold rush lures American prospector Luke Tracy back to Australia's rugged north country in his elusive search for riches and the great passion of his life, Kate O'Keefe. From the boardrooms and backstreets of Sydney to the hazardous waters of the Coral Sea, the sequel to Cry of Curlew confirms the exceptional talent of master storyteller Peter Watt. PRAISE FOR THE SERIES "A rousing and revealing yarn" Weekend Australian "the historical detail brings the ... 19th century to rip-roaring life" The Australian "Watt's fans love his work for its history, adventure and storytelling" Brisbane News

The story of three decades in the life of Pamela Lacey and a Montana town, The Curlew's Cry spans World War I, the Great Depression, and the influenza epidemic of 1917, as it renders "a quietly told, honestly plotted story filled with careful details and with good descriptions of various aspects of life in the West" (Harriette Arnow, Saturday Review).

In this conservation classic, originally published more than sixty years ago, Fred Bodsworth tells the story of a solitary Eskimo curlew's perilous migration and search for a mate. The lone survivor comes to stand for the entirety of a species on the brink of extinction, and for all in nature that is endangered. This new paperback edition includes a foreword by Pulitzer Prize–winning poet W.S. Merwin and an afterword by Nobel Prize–winning physicist Murray Gell–Mann.

‘Focuses a razor light on the plight of one of our most iconic birds. Inspirational!’ Tim Birkhead Curlews are Britain’s largest wading bird, known for their evocative calls which embody wild places; they provoke a range of emotions that many have expressed in poetry, art and music.

New title in the Flame Tree Notebook collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back, two ribbon bookmarks and a solid magnetic side flap. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Angela Harding is a fine art painter and illustrator based in Rutland, UK. The Salt Path was featured on the cover of the bestselling book (of the same name) by Raynor Winn, shortlisted for the 2018 Wainwright Prize and the 2018 Costa Book Awards in the biography category. THE FINAL WORD. As William Morris said, Have nothing in your houses that you do not know to be useful, or believe to be beautiful.

As soon as Greta, her husband Joel, and their three sons arrive at the rural Top End property where Joel grew up, she is filled with a sense of unease. There's the dam filled with poisoned water, the burned-out family home on the hill, the crude white stones marking the burial sites of his sister and mother, the irresistible pull and authority of the land itself. And, who is the mysterious girl living in a forlorn hut near the creek? Struggling in the intense humidity of the "buildup" as she plants a garden and helps Joel build a tourist cabin, Greta knows she is an outsider, both to the town and to the land. Using her camera, she tries to make the invisible visible. As she gets drawn into the silent mystery of Joel's family and the secrets of his past, memories from her own beach childhood down south stir in unexpected and sometimes frightening ways. Threading through Greta's experiences is the eerie cry of the curlew like the voice of the land itself, calling her to piece together the grief of the people and the place where she is living, and glimpses of her own past she has pushed aside.