Introducing Alice Quentin, a London psychologist with family baggage, who finds herself at the center of a grisly series of murders Alice Quentin is a psychologist with some painful family secrets, but she has a good job, a good-looking boyfriend, and excellent coping skills, even when that job includes evaluating a convicted killer who's about to be released from prison. One of the highlights of her day is going for a nice, long run around her beloved London—it's impossible to fret or feel guilty about your mother or brother when you're concentrating on your breathing—until she stumbles upon a dead body at a former graveyard for prostitutes, Crossbones Yard. The dead woman's wounds are alarmingly similar to the signature style of Ray and Marie Benson, who tortured and killed thirteen women before they were caught and sent to jail. Five of their victims were never found. That was six years ago, and the last thing Alice wants to do is to enter the sordid world of the Bensons or anyone like them. But when the police ask for her help in building a psychological profile of the new murderer, she finds that the killer—and the danger to her and the people she cares about—may already be closer than she ever imagined. With gripping suspense and a terrific new heroine, Kate Rhodes's Crossbones Yard introduces a powerful new voice in crime fiction.

The first death looked like a suicide. But someone had tucked a picture of an angel and a handful of white feathers into the banker's pocket before pushing him in front of a train. A killer is stalking The Square Mile—the financial district in London—an avenging angel intent on punishment. But why these victims? What were their sins? Psychologist Alice Quentin swore she'd never get involved with police work again. Her duty is to the living, not the dead. But she owes Detective Don Burns a favor. He was the one who would sit for hours when the last case they worked on together had landed her in the hospital. That case had clearly taken its toll on him, and his career, too. So when he comes begging for help, how can she refuse? In order to find the murderer, Alice and Detective Burns must dig deep into the toxic heart of one of the major financial centers in the world. A place where money means more than life, and no one can be counted innocent. A Killing of Angels is the second book in Kate Rhodes' Alice Quentin Series.

Crossbones Yard was a burial ground once. Now it's wasteland, tucked away in the back streets of Borough beneath the shadow of the Shard. The perfect place to leave a body. Alice Quentin finds the murder victim lying there - the woman's hand outstretched, as if begging for her help. A psychologist who sometimes works with the Metropolitan police, Alice is no stranger to sick minds. But this case is worse than anything she's seen before, and the killer is determined to make it personal.

“I was born a Goose of Southwark by the Grace of Mary Overie,Whose Bishop gives me licence to sin within The Liberty.In Bankside stews and taverns you can hear me honk right daintily,As I unlock the hidden door, unveil the Secret History.” The Liberty of the Clink dates back to 1107 when the Bishop of Winchester was granted a stretch of the Southwark Bankside, which lay outside the law of the City of London. Here, the Bishop controlled the brothels, or stews. The whores of The Liberty were known as Winchester Geese. The Vision Books of The Southwark Mysteries were first revealed by The Goose to John Crow, trickster-familiar of the poet and playwright John Constable, on 23rd November 1996. In these apocalyptic verses, John Crow encounters The Goose at Crossbones, the whores’ graveyard unearthed during work on the Jubilee Line Extension. She initiates him into a secret history spanning 2,000 years – a vision of the Spirit in the flesh, the Sacred in the profane, Eternity in time. This vision informs The Mystery Plays, a contemporary “Southwark Cycle” rooted in the medieval mysteries, retelling sacred stories in the earthy language and context of our own time and place. This epic drama was first performed in Shakespeare’s Globe and Southwark Cathedral on Easter Sunday, 23rd April 2000. A new production was presented in Southwark Cathedral in 2010. The third part of the work is a Glossolalia of local history and esoteric lore to be read in conjunction with the poems and plays.

Welcome to Patricia Briggs’s world, a place where “witches, vampires, werewolves, and shape-shifters live beside ordinary people” (Booklist). It takes a very unusual woman to call it home—and there’s no one quite like Mercy Thompson. By day, Mercy Thompson is a car mechanic in the sprawling Tri-Cities of Eastern Washington. By night, she explores her preternatural side. As a shape-shifter with some unusual talents, Mercy’s found herself maintaining a tenuous harmony between the human and the not-so-human on more than one occasion. This time she may get more than she bargained for. Marsilia, the local vampire queen, has learned that Mercy crossed her by slaying a member of her clan—and she’s out for blood. But since Mercy is protected from direct reprisal by the werewolf pack (and her close relationship with its sexy Alpha), it won’t be Mercy’s blood Marsilia is after. It’ll be her friends’.

Psychologist Alice Quentin has been looking forward to a break from her hectic London life. She has vowed to stay clear of police work. The previous cases she helped the police with have left her scarred. So, when Alice is given the rare opportunity to study treatment methods at Northwood high-security hospital outside of London, she is eager to get to work. But then a young girl is discovered, dressed all in white, on the steps of the Foundling Museum. Four girls have recently gone missing in North London—this is the third to be found, dead. The fourth may still be alive, and Alice Quentin may be able to help. Britain's most prolific child killer, Louis Kinsella, has been locked up in Northwood for over a decade. Yet, these recent kidnappings and murders are clearly connected to Kinsella's earlier crimes. It seems that someone is continuing where he left off. So, when Detective Don Burns comes asking for Alice's help, how can she refuse? Alice will do anything to help save a child—even if that means forming a relationship with a charismatic, ruthless murderer. But Kinsella is slow to give away his secrets, and time is running out for the latest kidnap victim, who is simply trying to survive. In her quest to save a life, Alice finds she has put her own life on the line. The Winter Foundling is Kate Rhode's exciting thriller featuring Alice Quentin following Crossbones Yard and A Killing of Angels.

Richard Lafargue is an eminent plastic surgeon haunted by dirty secrets. He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls Mygale, after a type of tropical spider. All of these characters are caught in a deceitful web, waiting to meet their fate.