This book continues the "creative involvement" proposition put forward in Creative Involvement: A New Direction in China's Diplomacy with new cases and stories to enrich its content. It discusses China's global role, and explores its root cause of formation, development stages, and future direction. The main conclusion is that this role is preliminary and incomplete and needs continuous learning and improvement; China standing on the global high ground needs not only hard power but also wisdom and creativity. On research methods and writing approach, firstly, this book follows the philosophy of "practice first", namely, starting from historical experiences, focusing on practical issues, and exploring objectives and clues through case studies. Secondly, the three parts in the book have different sub-themes, but they are subject to the same thinking, that is, how does China advance toward a central role from the marginal edge of contemporary international system, how to develop doctrines or practices for China’s involvement in world affairs, and how to borrow the experiences of others to help China move forward on the global high ground. Combing innovative theoretical idea with practical investigation, this book will not only contribute to contemporary China Diplomatic studies but also appeal to scholars and students of International Relation studies. People who are interested in the rise of China and global governance will also benefit from this book.

With the enhancement of national strength, China’s diplomacy has leapt onto a new high ground, basically obtaining the status of a world power. Meanwhile, it has also received a large amount of right and wrong mixed criticism and suggestions from different sides, in the face of a sudden increase in opportunities, pressures, and conflicts. The "creative involvement" in this book is exactly proposed for the future of China’s diplomacy. In this book, the author first defines the concept "creative involvement". Different from diplomatic theories in the traditional senses, creative involvement is a kind of diplomatic thinking which encourages more active participation in international affairs and advocates creative solutions. Then the author makes case studies on some events and people which have been of typical significance in China’s diplomatic practices since the end of the Cold War, expounding their innovations and limitations. In the third part, the author turns to various supportive propositions, ideas, and theories concerning creative involvement and explains how they are applied to China’s future diplomatic practice. Lastly, the author tries to set a number of scenarios, discussing the possible entry points for creative involvement. Combining innovative theoretical idea with practical investigation, this book will not only contribute to contemporary China diplomatic studies but also appeal to scholars and students of international relations studies.

Anyone who cares for someone living with dementia will gain valuable knowledge from this compassionate book.

This book offers an extensive range of ideas and practical developing service users' creativity including songmaking, drama, dance, creative writing, music, video and visual arts. It promotes innovation and encourages a fresh and enthusiastic approach to care that will appeal to anyone with a love of creative arts as a means of expression. The wide-ranging approach encompasses many different voices from patients, artists and healthcare professionals. "Creative Engagement in Palliative Care" is highly recommended for all palliative health and social care professionals and volunteers, including occupational therapists, and art and music therapists. It is a wonderful resource for health and social care educators, teachers and trainers and will be a immense source of inspiration for patients and their families.'This book is about user involvement. It is concerned with sharing knowledge and experience about user involvement in palliative care and making it more real for the future. In modern times, the importance of 'end of life care' was highlighted by the pioneers of the voluntary hospice movement. They emphasised the importance of palliative care being based on an holistic approach that took account of all aspects of people's lives and deaths; medical, social, spiritual and material. More recently the work of the independent hospice movement has been complemented by the development and expansion of specialist palliative care in state provision. The aim has been to enable people to be able to 'do it their way' with a real sense of control and to be able to communicate their unique words, voices and experience. This is and will always be a key potential of user involvement.' - Suzy Croft and Peter Beresford, in the Preface.

Creative Participation presents the theory and practice of new innovative forms of political participation. Examples covered in the book include consumers engaging in political shopping, capitalists building green developments, UK Muslim youth campaigning on the internet, Sicilian housewives taking on the Mafia, young evangelical ministers becoming concerned with social change and vegetarians making political statements. The authors show how in these new campaigns individuals swarm like honeybees around particular issues, causing those in power to sit up and take notice. This is the essential guide to the new politics of participation.

Creative Participation presents the theory and practice of new innovative forms of political participation. Examples covered in the book include consumers engaging in political shopping, capitalists building green developments, UK Muslim youth campaigning on the internet, Sicilian housewives taking on the Mafia, young evangelical ministers becoming concerned with social change and vegetarians making political statements. The authors show how in these new campaigns individuals swarm like honeybees around particular issues, causing those in power to sit up and take notice. This is the essential guide to the new politics of participation.

Creative Engagement in Psychoanalytic Practice fills the gaps in current clinical training and theory by highlighting the importance of the analyst’s unique voice, creativity, and embodied awareness in authentically being with and relating to patients. In this original and personal account, Henry Markman provides an integrated approach toward analytic work that focuses on engaged embodied dialogue between analyst and patient, where emotional states are shared in an open circuit of communication as the route to self-discovery and growth. The involvement of the analyst’s singular and spontaneous self is crucial. In integrated and illuminating chapters, Markman emphasizes the therapeutic importance of the analyst’s embodied presence and openness, improvisational accompaniment, and love within the analytic framework. Vivid clinical vignettes illustrate the emotional work of the analyst that is necessary to be openly engaged in a mutual yet asymmetric relationship. From over 30 years of clinical practice and teaching, Markman has synthesized a variety of contemporary theories in an approachable and alive way. This book will appeal to psychoanalytically oriented clinicians, ranging from those beginning training to the most seasoned practitioners.