Myanmar. It's not a country you'd often associate with colored pencil, is it? Or how about Malaysia, South Africa, Israel, the Netherlands or Greece? 120 Colored pencil artists from those countries and more are featured in this fourth volume of CP Treasures. Spreading around the world like warm honey, colored pencil has blossomed into a serious art medium pursued by tens of thousands.And when some of those tens of thousands reach a level of mastery like those featured in this book, their colored pencil prowess cries out for documentation, chronicling and most of all - trumpeting!It is with awe and pleasure that we humbly present to you this stunning collection of artworks created with the once lowly colored pencil. May these pages bring you wonder, illumination and inspiration. Many, many thanks and much appreciation to all the amazing artists included in this edition. The world and I are grateful.

Hidden Treasures is a fond and enthusiastic tribute to the best of the artists who submitted work for the 4th volume of CP Treasures, but who were not accepted for inclusion in that book. With over 800 entries this year and only 120 spots available in CP Treasures, you can imagine the agonizing decisions made, especially since there were far, far more than 120 stunning piece submitted. So this volume honors those works that, while not included, still shine with bright and beautiful light.Where else in the world can you see over 160 colored pencil works gathered in one spot? What an amazing showcase this volume is, of talent, inspiration, energy and most of all, passion for our beloved medium - colored pencil. Gathered in one book like this, it can't help but bring the viewer awe and wonder at what colored pencils in the hands of so many, can do. They may not actually be hidden, but the images in the following pages are certainly treasures!

Over 70 stunning paintings showcasing master colored pencil artists from all over the globe. Every featured artist also generously shares tips, techniques and insights into their personal own style. CP Treasures will absolutely become a highly treasured volume in any colored pencil artist's library.

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the fourth volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were written between late autumn 1820 and late summer 1821. They include Adonais, Shelley’s lament on the death of John Keats, widely recognised as one of the finest elegies in English poetry, as well as Epipsychidion, a poem inspired by his relationship with the nineteen-year-old Teresa Viviani (‘Emilia’), the object of an intense but temporary fascination for Shelley. The poems of this period show the extent both of Shelley’s engagement with Keats’s volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) — a copy of which he first read in October 1820 — and of his interest in Italian history, culture and politics. Shelley’s translations of some of his own poems into Italian and his original compositions in the language are also included here. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley’s poetry available to students and scholars.

Highly respected New Testament scholar Craig Keener is known for his meticulous and comprehensive research. This commentary on Acts, his magnum opus, may be the largest and most thoroughly documented Acts commentary ever written. Useful not only for the study of Acts but also early Christianity, this work sets Acts in its first-century context. In this volume, the last of four, Keener finishes his detailed exegesis of Acts, utilizing an unparalleled range of ancient sources and offering a wealth of fresh insights. This magisterial commentary will be an invaluable resource for New Testament professors and students, pastors, Acts scholars, and libraries. The complete four-volume set is available at a special price.

The Poems of Robert Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his Browning's early years, while volume three (1847-61) covered the period of his marriage to Elizabeth Barrett and residence in Italy. Volume four (1862-71) deals with the decade following Elizabeth's death and Browning's return to England. These years saw the appearance of some of his most significant work, and a steady rise in his critical reputation. In Dramatis Personae (1864), Browning uses his characteristic "dramatic" mode to expose predicaments of thought and feeling, in characters ranging from Shakespeare's Caliban to the cheating medium, "Mr Sludge"; other poems dramatize Browning's complicated feelings about the deceptions and self-deceptions of romantic love. Balaustion's Adventure (1871) is an engaging reworking of Euripides' Alcestis, whose theme, the resurrection of a beloved lost wife, has poignant personal resonance for Browning;while Prince Hohenstiel-Schwangau, published in the same year, offers a thinly-veiled account of the life and actions of Napoleon III, the recently deposed Emperor of France, over whom Browning and Elizabeth had quarrelled. In these two long poems, Browning can be seen engaged in the dialogue with Elizabeth that was to shape much of his work during the remainder of his writing life.

"The Council of Nicaea in 325 AD marked the beginning of a new era in Christianity. For the first time, doctrines were organized into a single creed. The Nicene and Post-Nicene Fathers did most of their writing during and after this important event in Church history. Unlike the previous era of Christian writing, the Nicene and Post-Nicene era is dominated by a few very important and prolific writers. In Volume IV of the 14-volume collected writings of the Nicenes and Post-Nicenes (first published between 1886 and 1889), readers will find Augustines writings defending the Catholic church against the Manichaeans and the Donatists. Manichaeanism was a religion developed in Persia by the prophet Mani. According to this religion, creation has two parts: darkness and light. Light is God and has ten attributes. Opposing this, and coeternal with it, is darkness and its five attributes. Saint Augustine was originally a Manichaean, so his defense of Christianity against this religion comes from a deep understanding of its nature. Donatists were a group of believers who refused to forgive those who had renounced their faith during a time of persecution, which caused a schism in Christianity. In opposing these men, Augustine attempted to mend the rift. Those with an interest in ancient religions will find Augustines writings on Manichaeanism one of the most important historical records of that religions practices."