Jeanne Les Flambeaux-you know, the famous Flambeaux clan, the great chefs and restaurateurs of the Southwest-is the black sheep of her very accomplished family. She has a few problems. Like, for one, she can't cook. And she hears voices for another. And she screws up everything she touches for a third. No one, including herself, ever expected her to amount to anything, so she hasn't; she thinks of herself as an idiot savant--if you drop the savant part. When her parents take a much-needed vacation, leaving her in charge of the family's ancient, prized possessions--a crystal skull and a priceless ruby scepter--she wakes up the next morning to find that her lover, Johnny (what is she doing with that loser?), has stolen the scepter. This propels her on a wild and wacky journey across the Great American Southwest, trying to catch up to Johnny and the scepter. To complicate matters, single women start mysteriously disappearing throughout the southwestern. The police and the FBI have few clues--and Jeanne, as she stalks Johnny, is herself being stalked by someone or something. Fortunately--or unfortunately, Jeanne can't quite figure it out--she's aided in her impossible task by the crystal skull . . . now a talking crystal skull, which, of course, speaks only to her. The crystal skull, who calls himself Crane, leads Jeanne (who is rapidly becoming an actual heroine) through the casinos of Las Vegas, the mysteries of Kitt Peak, desert cults in Arizona, and finally to a wild climax that outdoes Tom Robbins . . . and maybe even gives Carlos Castaneda a run for his pesos. Light and sexy, filled with imaginative characters and situations, and some of the hottest secret recipes from the Flambeaux recipe drawer, Coyote Cowgirl will leave you laughing and begging for a sequel.

A down-and-out rodeo champion follows a mysterious woman on the run with half a million dollars back to the bright lights of Las Vegas in the sequel to Hey, Cowboy, Wanna Get Lucky? “Baxter Black is Mark Twain served up with a little Groucho Marx.”—The Weekly Standard Two years after he won the average at the Las Vegas National Finals Rodeo by riding Kamikaze, the world’s most unridable bull, Lick is down on his luck, working on a ranch in the remote Nevada desert with Al Bean, an ornery old cowboy. Then into their lives crashes Teddie Arizona—T.A.—a woman of mystery who crawls out of the wreckage of her plane with a $500,000 secret. When T.A.’s “husband,” F. Rank Pantaker, dispatches his henchmen to retrieve the money—and the girl—Lick and Al find themselves trying to outrun the bad guys and protect a damsel in distress. Is T.A. out to cheat her cheatin’ husband, or is she really just trying to stop an illegal scheme cooked up by F. Rank and the infamous Ponce de Crayon, Vegas’s most glamorous tiger tamer? Is she playing Lick—or is it love? Will Al Bean’s cockeyed schemes, an able assist from Cody, Lick’s cowboy sidekick, a brigade of old-time rodeo reunioneers, and twenty miles of duct tape be enough to stop F. Rank’s nefarious schemes, reform a career party girl, and change the hearts and minds of ten of the world’s most thrill-seeking billionaires? Can Cody keep Lick from climbing onto raging bull Kamikaze’s back one more time? Can true love triumph over shoot-outs at the not-so-okay corral and close encounters with white tigers? With its colorful cast of characters, rip-roaring humor, and inventive language, this caper will have you riding high long after it gallops to a thunderously satisfying conclusion.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

A Companion to the Literature and Culture of the American West presents a series of essays that explore the historic and contemporary cultural expressions rooted in America's western states. Offers a comprehensive approach to the wide range of cultural expressions originating in the west Focuses on the intersections, complexities, and challenges found within and between the different historical and cultural groups that define the west's various distinctive regions Addresses traditionally familiar icons and ideas about the west (such as cowboys, wide-open spaces, and violence) and their intersections with urbanization and other regional complexities Features essays written by many of the leading scholars in western American cultural studies

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.