Collected interviews with the Pulitzer Prize-winning author and playwright most widely known today for his play, Our Town

"Thornton Wilder: A Life brings readers face to face with the extraordinary man who made words come alive around the world, on the stage and on the page." —James Earl Jones, actor "Comprehensive and wisely fashioned….A splendid and long needed work." —Edward Albee, playwright Thornton Wilder—three-time Pulitzer Prize winner, creator of such enduring stage works as Our Town and The Skin of Our Teeth, and beloved novels like Bridge of San Luis Ray and Theophilus North—was much more than a pivotal figure in twentieth century American theater and literature. He was a world-traveler, a student, a teacher, a soldier, an actor, a son, a brother, and a complex, intensely private man who kept his personal life a secret. In Thornton Wilder: A Life, author Penelope Niven pulls back the curtain to present a fascinating, three-dimensional portrait one of America's greatest playwrights, novelists, and literary icons.

"This book delineates how Thornton Wilder (1897-1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder's avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil's expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder's oeuvre. Understanding Vergil's phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in Classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public"--

A work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved. Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community. 80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.

“An extremely entertaining array of American life in a bygone era.” — New Yorker The last of Thornton Wilder’s works published during his lifetime, Theophilus North is part autobiographical and part the imagined adventures of Wilder’s twin brother who died at birth. This edition features an updated afterword from Wilder’s nephew, Tappan Wilder, with illuminating material about the novelist, story and setting. Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, tennis coach, spy, confidant, lover, friend and enemy as he becomes entangled in adventure and intrigue in Newport’s fabulous addresses, as well as in its local boarding houses, restaurants, dives and military barracks. Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder’s trademark wit juxtaposed with his lively and timeless ruminations on what really matters, at the end of the day, about life, love, and work.

"The bridge of San Luis Rey" by Thornton Wilder. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Collects a selection of the many interviews Wilson gave from 1984 to 2004. In the interviews, the playwright covers at length and in detail his plays and his background. He comments as well on such subjects as the differences between African Americans and whites, his call for more black theater companies, and his belief that African Americans made a mistake in assimilating themselves into the white mainstream. He also talks about his major influences, what he calls his "four B's"-- the blues, writers James Baldwin and Amiri Baraka, and painter Romare Bearden. Wilson also discusses his writing process and his multiple collaborations with director Lloyd Richards--Publisher description.