In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. It makes critical reappraisements of some famed Chinese writers, and sheds fresh lights on the theoretical issues pertaining to the problematic of plural modernities.

DIVAn analysis of the Chinese experience of modernity through the literary works, films and other cultural artifacts that represent it. /div

Chinese literature has been the slave of politics at least since 1948 and especially during the Cultural Revolution. So repressed and convoluted is most Chinese literature that the West cannot read it as literature at all but rather as sociological and political texts. Professor Duke believes this has changed enough since 1977 to permit genuine literary analysis. This book surveys and analyzes the most important literary events in the PRC from 1977 to 1982. Chapter I covers the significant changes in the Chinese Party line on literature and art during this period and thus provides the backdrop for literary and artistic endeavor. Subsequent chapters deal with the critique of Chinese literature by China's own writers, the neo-realistic fiction of 1979-80, the nonfiction works of a courageous investigative reporter for the People's Daily, and the theme of humanism and its treatment in the works of Bai Hua and Dai Houying. The final chapter discusses the post-Mao generation of young writers, who are trying to create works that go beyond narrowly ideological boundaries of the past and reach toward a true modern Chinese literature.

"Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, Xiaoping Wang intends to explore newly emerging social and cultural trends in contemporary China, and find the truth content of Chinese society and culture in the age of global capitalism. Through in-depth textual analyses covering a variety of media, ranging from fiction, poetry, film to theoretical works as well as cultural phenomena which mirror social and cultural occurrences and reflect the present ideological proclivities of the Chinese society, this study offers timely interpretations of China in the age of globalization, its political inclinations, social fashions and cultural tendencies, and provides thought-provoking messages of China's socio-economic and political reality"--

In A Modernity Set to a Pre-Modern Tune, Haosheng Yang studies the classical-style poems of the most iconoclastic May Fourth Chinese writers and highlights the use of traditional language and forms as a salient facet of Chinese literary modernity.

This work compares IT parks in China, India, Malaysia, Singapore, Taiwan, and Hawaii, in search of strategies that policy makers can employ to reduce the Global Digital Divide, advance distributional equity, and soften some of the negative effects of economic globalization.