This book provides etudes that will develop the various technical elements involved in 4-mallet playing, and also introduces students to a variety of contemporary harmonic, rhythmic and notational styles, and different musical forms. Contemporary Etudes for 3 & 4 Mallets still provides one of the few pathways leading students from traditional harmonies, simple rhythms and conventional notation to the complexity and variety of musical styles they will encounter in the 21st century.

Contemporary Solos for 4 Mallets was written as an intermediate-level follow-up to Contemporary Etudes for 3 & 4 Mallets. Both books were designed not only to develop the technical elements of 4-mallet playing, but also to introduce students to a variety of contemporary harmonic, rhythmic and notational styles. The student who has progressed through both volumes should be well-equipped to tackle much of the serious and difficult solo material available to marimbists today.

Designed to encourage students to learn sight-reading from the very beginning of study, Sight-Reading Duets for Beginning Mallet Players provides duets in a variety of styles, keys and time signatures. Playable on one four-octave marimba or two larger mallet instruments, these duets are truly an important addition to early mallet studies.

A collection of studies and etudes for developing four-mallet independence in playing the marimba. It contains single hand studies, interval studies, rotation studies, parallel motion studies, four mallet arpeggio studies, and more. A must for the intermediate student of keyboard percussion.

(Percussion). This book contains a lot of music, from musical etudes designed for beginning and intermediate players, to recital material appropriate for intermediate and advanced marimbists. It includes: examples taken from contemporary solo and chamber works, with commentary and performance tips; 50 studies to develop four-mallet technique in a musical way; 18 classic and contemporary solos for recitals, auditions or juries, written by Beethoven, Handel, Chopin, Debussy, Leonard Bernstein, Duke Ellington and others; and helpful guidelines for mallet selection, grip, strokes, tone production, rolls, stickings, phrasing and other important topics.

The "Goldenberg book" has been used by generations of orchestral mallet players to develop their skills. As well as studies and etudes, this book includes excerpts of major orchestral repertoire for keyboard percussion instruments. This edition, edited by Tony Cirone, includes phrasings that were inherent in the music but not specifically written out. Stickings are also addressed: the original stickings are in uppercase letters, and the added stickings are in lowercase. This book is the primary source for keyboard percussion players to learn technique and orchestral repertoire.

This book introduces music education majors to basic instrumental pedagogy for the instruments and ensembles most commonly found in the elementary and secondary curricula. This text focuses on the core competencies required for teacher certification in instrumental music. The first section of the book focuses on essential issues for a successful instrumental program: objectives, assessment and evaluation, motivation, administrative tasks, and recruiting and scheduling (including block scheduling). The second section devotes a chapter to each wind instrument plus percussion and strings, and includes troubleshooting checklists for each instrument. The third section focuses on rehearsal techniques from the first day through high school.