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At Cedar Mountain on August 9,1862, Stonewall Jackson exercised independent command of a campaign for the last time. Robert Krick untangles the myriad original accounts by participants on both sides of the battle to offer an illuminating portrait of the C

No military unit in all the annals of American history exceeds in reputation Robert E. Lee's illustrious Army of Northern Virginia. In ten chapters based on exhaustive research, esteemed Civil War scholar Robert K. Krick gives eloquent examination to aspects of the army ranging from biographical sketches and the best and worst books on the subject, to Confederate troop strengths and locating soldier records. He begins with two key events: Thomas J. Stonewall Jackson's mortal wounding at Chancellorsville; and Jackson's most famous quarrel with a subordinate, which resulted in the unsuccessful court martial of General Richard B. Garnett. Krick continues with chapters on James Longstreet's failure at Knoxville and the prickly relationship between Jubal A. Early and the undisciplined Valley Cavalry. His piece on Robert E. Rodes is the first complete portrait of Lee's best division commander, whose wife methodically burned all of his letters sent home, forever preventing a full-scale biography. Krick, however, has uncovered a wide array of unpublished material on Rodes to sketch him in fresh perspective. Another essay considers the life and career of Colonel R. Welby Carter - a rogue

The battles of Front Royal and Winchester are the stuff of Civil War legend. Stonewall Jackson swept away an isolated Union division under the command of Nathaniel Banks and made his presence in the northern Shenandoah Valley so frightful a prospect that it triggered an overreaction from President Lincoln, yielding huge benefits for the Confederacy. Gary Ecelbarger has undertaken a comprehensive reassessment of those battles to show their influence on both war strategy and the continuation of the conflict. Three Days in the Shenandoah answers questions that have perplexed historians for generations. Bypassing long-overused sources that have shrouded the Valley Campaign in myth, Ecelbarger draws instead on newly uncovered primary sources--including soldiers' accounts and officers' reports--to refute much of the anecdotal lore that for too long was regarded as fact. He narrates those suspenseful days of combat from the perspective of battlefield participants and high commanders to weave a compelling story of strategy and tactics. And he offers new conclusions regarding Lincoln's military meddling as commander in chief, grants Jefferson Davis more credit for the campaign than previous accounts have given him, and commends Union soldiers for their fighting. Written with the flair of a seasoned military historian and enlivened with maps and illustrations, Three Days in the Shenandoah reinterprets this important episode. Ecelbarger sets a new standard for envisioning the Shenandoah Campaign that will both fascinate Civil War buffs and engage historians.

A brother and sister struggle to survive the rigors of Death Valley after their wagon breaks an axle and they set out alone to find help for their stranded family and injured father.

I have met numerous artists in my life, many of whom seem to be unfulfilled in their creative journey. I feel it is the same for many professionals. I personally believe that when we start on this path, we have great passion; a burning desire. This is what establishes the goals we want to achieve. These goals may consist of getting that job in the studio, or the project we wanted to do. We may find that once this happens, we become dormant, and stop setting those goals. It then turns into complaints, frustration, and the constant questioning of, "What is it that I really want to do?" This book is a collection of my trials, and personal thoughts about life as an artist. It’s also about reminding ourselves of the importance of setting new goals, creating that passion and vision, and the courage and perseverance to ignite your dreams again. This book is written for you.