On December 8, 1980, twenty-something rock journalist Laurie Kaye entered the legendary Dakota apartments on Manhattan's Upper West Side to conduct an interview with her longtime idol, John Lennon. It was the last interview Lennon would ever give-just hours later, outside that same building, Lennon was shot dead by a twenty-five-year-old man (whom Kaye refuses to refer to by name) whom Kaye herself had encountered after finishing the interview and stepping outside onto the street. Kaye has beaten herself up ever since over her failure to recognize that the assassin-who blocked her path and harassed her with questions like "Did you talk to him?" "Did you get his autograph?"-posed a danger and should have been reported. Now, as we approach the forty-fifth anniversary of Lennon's death, Kaye reflects how she rose from teen runaway from a dysfunctional family to expatriate studying Balinese dancing in Indonesia to journalist, writer, and producer with credits including RKO Presents The Beatles/The Beatles from Liverpool to Legend (at the tender age of twenty-one) and the Lord of the Rings DVD release, plus interviews with such titans of the music industry as Paul McCartney, George Harrison, Talking Heads, The Ramones, David Bowie, and Mick Jagger, whom she put on hold so that he could listen to her newscast before getting down to business. But it was the day she shared a loveseat with John Lennon and watched him push his iconic granny glasses down the length of his nose and smile at her in agreement that remains indelibly etched in her mind-both the best and worst day of her life.Front cover by Grammy-winning artist and director Mick Haggerty.

On December 8, 1980, twenty-something rock journalist Laurie Kaye entered the legendary Dakota apartments in New York to interview her longtime idol John Lennon. It was the last interview Lennon would ever give— just hours later, outside that same building, Lennon was shot dead by a twenty-five-year-old man (Kaye refuses to name him) whom Kaye herself had encountered after finishing the interview and stepping outside. Kaye has beaten herself up ever since over her failure to recognize that the assassin posed a danger and should have been reported. Here Kaye recounts not just her unfortunate brush with history, but also her turbulent early years growing up in LA and her fascinating, star-packed journey from radio intern to acclaimed writer/producer. Plus interviews with such titans of the music industry as Paul McCartney, George Harrison, Talking Heads, the Ramones, David Bowie, and Mick Jagger.

Throughout her career, Carole Pope has blazed a trail for the diva and anti-diva in all of us, and here she offers a no-holds-barred look at her adventures in the music scene – on the concert stage, in the recording studio, and in the bedroom. Known for ushering Canada from the punk movement of the 1970s to the new wave sound of the 1980s with Rough Trade, she candidly shares her thoughts on AIDS, sexuality and sexual politics, and the new breed of music divas that dominates the charts today.

Show biz memoir at its name-dropping, bridge-burning, profane best: the music industry’s most outspoken, outrageous, and phenomenally successful executive delivers a rollicking memoir of pop music’s heyday. During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Bob Dylan, Billy Joel, Paul Simon, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of “Sexual Healing”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots. Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.

A WIDOW'S AWAKENING is engaging, powerful, heart-wrenching, and at times humorous. This honest look at the first year of a widow's grief after the death of her husband captures the immense difficulty of learning how to accept the unacceptable while transforming loss into positive change-and is a testament to the resilience of the human spirit.

Author Ren Grevatt pulls back the curtain to reveal an insider's look at an American art form. Do pay attention to the man behind this curtain. He spent well over fifty years up close and personal with the artists and the media. In this book, Ren traces the careers of so many cultural icons, from their humble beginnings to their climb to stardom. Here is your window into the lives of the people who have created and promoted the music so many of us have grown up with. In these pages, we get a glimpse of both their off-stage personalities and their on-stage personas. Take a tour of the careers of the famous-from Linda Ronstadt, to Anne Murray, to Steve Martin, to Alice Cooper, to Eubie Blake, to Willie Nelson, to Harry Chapin, to James Taylor, to Jerry Garcia. See the artists' lives unfold and learn how an industry exploded and changed American popular culture forever.