Magical Mallins Wood is under threat from developers. Unknown to everyone but the members of the top secret Society for the Protection of Mythical Creatures, the wood is the home of the last gorgon, a creature so deadly she can kill with a look. Col's difficult mother is the gorgon's Companion - a human with a special bond with the gorgon - and she's determined to save it. So determined, that she'll allow the evil shapeshifter Kullervo to help her, even if it means having to sacrifice her son to him. But Kullervo wants more than to help the gorgon. He wants universal power, and he needs Col's best friend Connie to get it. Col's mum tells Col that she wants to meet this powerful girl. But is it a trap? And, if so, who is the hunter, and who the hunted?

Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.

Mythical creatures still exist, hidden from the modern world by a secret society determined to keep these wild and mysterious creatures safe from those who wish to destroy them.

Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.

This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:* auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

This book explores the ways in which social relations are profoundly changing modern society, arguing that, constituting a reality of their own, social relations will ultimately lead to a new form of society: an aftermodern or relational society. Drawing on the thought of Simmel, it extends the idea that society consists essentially of social relations, in order to make sense of the operation of dichotomous forces in society and to examine the emergence of a "third" in the morphogenetic processes. Through a realist and critical relational sociology, which allows for the fact that human beings are both internal and external to social relations, and therefore to society, the author shows how we are moving towards a new, trans-modern society – one that calls into question the guiding ideas of Western modernity, such as the notion of linear progression, that science and technology are the decisive factors of human development, and that culture can entirely supplant nature. As such, it will appeal to sociologists, social theorists, economists, political scientists, and social philosophers with interests in relational thought, critical realism, and social transformation.