A richly diverse anthology of Native American literatures draws on the work of more than two hundred tribes across the United States and Canada and provides information on the historical and cultural contexts of the stories, songs, prayers, and orations.

Bold, sometimes abrasive, forever passionate, Edward Curtis was the quintessential romantic visionary. Curtis struggled through an impoverished boyhood in Minnesota to become a successful society photographer in Seattle. But he soon moved far beyond weddings and studio portraits to his lifes worka multi-volume photographic and ethnogrpahic work on the vanishing world of the North American Indian. Initially, Teddy Roosevelt and J.P. Morgan backed the ambitious project. But as the work stretched over years, Curtis found himself alone with his vision, struggling to finance himself and his crews. The 20-volume North American Indians, finally completed in 1930, cost Curtis his marriage, his friendships, his home, and his health. By the time he died in 1952, he and his monumental work had lapsed into obscurity. In this richly designed book, Anne Makepeace, creator of an award-winning documentary on Curtiss life, reexamines the lasting impact of his work. Curtiss photographs, once ignored, now serve as a link between the romantic past and contemporary Native American communities, who have used his images to reclaim and resurrect their traditions.

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense. Art in all forms guides the author toward understanding concepts like blackness, jazz, mortality, riots, space, time, self, and other without falling prey to the myth that all things must exist within a system of binaries. Recalling her awkward attempts at coolness during her childhood, Sabatini Sloan evokes Thelonious Monk’s stage persona as a metaphor for blackness. Through the conceptual art of Adrian Piper, the author is able to understand what is so quietly menacing about the sharp, clean lines of an art gallery where she works as an assistant. The result is a compelling meditation on identity and representation.

This collection of 16 essays discusses the broad relationship of women poets to the American literary tradition

Winner of the Graywolf Press Nonfiction Prize, a lyrical meditation on family, place, and inheritance Names for Light traverses time and memory to weigh three generations of a family’s history against a painful inheritance of postcolonial violence and racism. In spare, lyric paragraphs framed by white space, Thirii Myo Kyaw Myint explores home, belonging, and identity by revisiting the cities in which her parents and grandparents lived. As she makes inquiries into their stories, she intertwines oral narratives with the official and mythic histories of Myanmar. But while her family’s stories move into the present, her own story—that of a writer seeking to understand who she is—moves into the past, until both converge at the end of the book. Born in Myanmar and raised in Bangkok and San Jose, Myint finds that she does not have typical memories of arriving in the United States; instead, she is haunted by what she cannot remember. By the silences lingering around what is spoken. By a chain of deaths in her family line, especially that of her older brother as a child. For Myint, absence is felt as strongly as presence. And, as she comes to understand, naming those absences, finding words for the unsaid, means discovering how those who have come before have shaped her life. Names for Light is a moving chronicle of the passage of time, of the long shadow of colonialism, and of a writer coming into her own as she reckons with her family’s legacy.

"Something's Coming..". and it's good news for a change! In an era when many are focused on end-of-the-world doom and gloom, along comes an exciting book to uplift humanity, reminding us that we are not alone and that help is already on the way. In Something's Coming author Genii Townsend, a trans-audio visionary, shares information kept secret for 25 years. Her "inner-vision journeys" began in 1982 when her husband, Rev. William Townsend, a Religious Science minister, brought forth drawings of Cities of Light while in meditation. After his passing, Genii Townsend continued where he left off and the city visits are now recorded in this book. No development on earth is more fascinating than the advent of the Cities of Light, and the discussion can be traced to the middle of the last century. What, exactly, is a City of Light? Much like Atlantis, it is a portal where the star brothers and sisters can come for exchange of cultural ideas, technology, art and healing. The book describes it as "the unfoldment of a very large universal plan. It is going beyond the universe to...an interdimensional portal of love where beings from everywhere can experience a community of love." The Cities of Light can be glimpsed with our physical eyes but are more apparent to our Third and Fourth Eyes. They are "crystal cities of the future, places of peace and harmony where love prevails." As real places in the higher dimensions, people can "anchor new realities and new dimensional realities within the 3rd dimension" as an expanded experience. They are also for advanced healing through light, sound and color-"examples of what can be done by using our technologies for the good of all." The book describes the purpose and plans for a City of Light in Sedona, Arizona-a prototype for 13 more cities to appear around the planet "any day now." Included are diagrams and descriptions of advanced technologies, prophecies, discussion of the need for spiritual awakening and enlightenment on earth, and details of the city's amazing features. Genii paints a picture for readers of what it's like to enter such a place after 100+ visits she has made within the City of Light. "Imagine entering a place of such beauty that it makes you an instant believer that anything is possible, like entering a 5-story-high gate that is encoded with your personal beliefs that makes you feel like you just came home. "Imagine experiencing healing techniques in light modules where no drugs, knives or needles can sever the body's electrical lines. Imagine a Memory Manor building where you can release past memory hurts with no emotion attached and a Fountain of Light that makes you feel physically and mentally great, and sitting on benches that massage the body. Imagine an Empowerment Emporium where you can balance your emotions and a "Birth-aterium" where babies are born laughing with the mother who had no anesthesia, no pain and the only crying is for the pure joy of the experience. And finally, imagine a stadium-size building called The Embassy of Peace Headquarters where "Light Beings gather to help bring forth peace on this earth." The Cities of Light function to heal us and raise our vibrations and consciousness. They are delightful places to be, they are places where peace reigns already. They exist in the Fifth Dimension and higher and are destined to play a large role in the transfer of learning and technology for us in the new Golden Age. Townsend writes: "Will it enhance peoples' lives? I think the common words will be 'OH MY GOD!' I ask you to hold the vision in your heart. Make no mistake, this planet will glow in love like never before." The stage is ready, the scenes inside these pages invite you to witness what is coming about, and this is your invitation, page by page, before the magic happens. Get your copy and get ready for the greatest show on earth. This book will show you how you can enter the city portals and change your reality forever.

This book has been happening to me for the past twenty years. That may sound a little strange but, I have never sat down at any time with the intention of writing a poem. It all began when I attended a funeral one afternoon. As I listened to the funeral service I could not help feeling how little comfort the words brought to me. All that day I could not stop thinking about the words of the service; surely, I thought, there must be better words to say to those who are grieving. That evening I went for a walk, and as I stood by a farm gate looking over the fields, I had the most extraordinary urge to wrote something. I had no idea what I should write; I only know that I must write. So I hurried back home and sat down with a pen and paper. I still had no idea what I should write about. I sat there for about three minutes, still feeling the urge, and then my hand began to write. It is a very strange thing to see your hand writing words on paper which are not n your head. I'm quite used to it now, but on that first occasion I was a bit shocked. The writing that day was the poem 'Think of Me' and as you cans see, they are words which have brought comfort to friends from time to time. All the poems come through in their finished state, I rarely if ever have to change a word. I'm happy to say that years later I still get the urge and the poems are still bringing me messages. It is my sincere wish that others will find messages also. Cover painting- "Comes the Dawn" by Des Floody