Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles she chose. Included are forewords written by film historian Joseph Yranski, a friend of the actress, and by Moore's stepdaughter, Judith Hargrave Coleman.

Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles she chose. Included are forewords written by film historian Joseph Yranski, a friend of the actress, and by Moore's stepdaughter, Judith Hargrave Coleman.

From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin. This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.

Exciting fiction premiere from beloved New York Times bestselling author Beth Moore. 2017 Christy Award finalist (General Fiction category) Only God knew why Jillian Slater agreed to return to New Orleans on the news that her father had finally drunk himself to death. It’s not like they were close. She hadn’t seen him—or her grandmother, the ice queen—in almost 20 years. But when Adella Atwater, the manager of her grandmother’s apartment house, called and said Jillian’s expenses would be paid if she’d fly in for the burial, a free trip to New Orleans was too intriguing to resist. What Adella didn’t tell her was that the apartment house wasn’t a house at all and, whatever it was, bore the dead weight of a long and painful history. As soon as Jillian meets the odd assortment of renters and realizes that her grandmother had no idea she was coming, she hatches a plan to escape. But the investigation into her father’s death quickly unfolds and Jillian is drawn into the lives of the colorful collection of saints and sinners who pass through Saint Silvanus. She soon discovers there is more at stake than she ever imagined. Who is behind the baffling messages and the strange relics left on the steps? Is it possible that her family is actually cursed? Or is it just this crazy old house that holds them all under its spell? Jillian walks into a web of spiritual and personal danger borne out of her family’s broken history, and despite Adella’s wiliest efforts, only God himself can orchestrate the undoing of all that is going on at Saint Silvanus.