A fun and interactive book packed with ideas and material for making collages. Create your own artworks and collages with this fantastic and fun book from print designer Lizzie Lees. Collage Carnival invites the reader to create a range of collage projects, from city scapes and travel journals using holiday snaps, to glitter-filled cards for friends. Mixed in with hints and tips for getting started are pages that can be coloured, cut out, customized, drawn on and embellished. There are pages filled with stickers and pages with gatefolds, allowing you to create your own collage masterpieces. Some pages are perforated so they can be pulled out and hung on the wall. Create your own collage carnival!

Malaika is happy to be reunited with Mummy, but it means moving to Canada, where everything is different. It’s cold in Québec City, no one understands when she talks and Carnival is nothing like the celebration Malaika knows from home! When Mummy marries Mr. Frédéric, Malaika gets a new sister called Adèle. Her new family is nice, but Malaika misses Grandma. She has to wear a puffy purple coat, learn a new language and get used to calling this new place home. Things come to a head when Mummy and Mr. Frédéric take Malaika and Adèle to a carnival. Malaika is dismayed that there are no colorful costumes and that it’s nothing like Carnival at home in the Caribbean! She is so angry that she kicks over Adèle’s snow castle, but that doesn’t make her feel any better. It takes a video chat with Grandma to help Malaika see the good things about her new home and family. Nadia L. Hohn’s prose, written in a blend of standard English and Caribbean patois, tells a warm story about the importance of family, especially when adjusting to a new home. Readers of the first Malaika book will want to find out what happens when she moves to Canada, and will enjoy seeing Malaika and her family once again depicted through Irene Luxbacher’s colorful collage illustrations.

"Create your own artworks and collages with this interactive and joyful book"--Page [4] of cover.

The #1 bestselling chapter book series of all time celebrates 25 years with new covers and a new, easy-to-use numbering system! Jack and Annie head back in time to Venice, Italy in the 1700s. With the help of a research book, a book of magic rhymes, and a set of mysterious instructions from Merlin, the heroes will save the beautiful city from a flood! Formerly numbered as Magic Tree House #33, the title of this book is now Magic Tree House Merlin Mission #5: Carnival at Candlelight. Did you know that there’s a Magic Tree House book for every kid? Magic Tree House: Adventures with Jack and Annie, perfect for readers who are just beginning chapter books Merlin Missions: More challenging adventures for the experienced reader Super Edition: A longer and more dangerous adventure Fact Trackers: Nonfiction companions to your favorite Magic Tree House adventures Have more fun with Jack and Annie at MagicTreeHouse.com!

Nonfiction. This is a document about an underground movement we're slowly bridging together through scattered clans of free thinkers, rebels and artists: groups of angry young people fed up living paycheck to paycheck in the wageslave braindeath passive observer (sub)urban trap that is our daily backdrop. An underground movement that has its poetic roots in the old traditions of traveling gypsies and pirates but is alive and well and lurking outside your door and maybe stirring somewhere in your hearts right at this very minute.

Whimsical and Elegant Projects from Well-Known Collage Artist Sally Jean Alexander With Pretty Little Things, readers will find collage projects that exhibit a playful air and a sense of magic. The 27 projects and 30 variations feature vintage ephemera soldered within glass, for finished works that tell a romantic or whimsical story. All exhibit Sally Jean Alexander’s signature style - a style that brings new life to antique papers, vintage photographs, found projects, scavenged text, and more.

Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties. Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt “neutral” market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city’s cultural roots to global markets and consumers. Enriquez also links the artists’ situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification. Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.