Critical analyses of ten English poems reveal changing styles from Donne to Yeats.

During a career that spanned sixty years, Cleanth Brooks was involved in most of the major controversies facing the humanities from the 1930s until his death in 1994. He was arguably the most important American literary critic of the mid-twentieth century. Because it is impossible to understand modern literary criticism apart from Cleanth Brooks, or Cleanth Brooks apart from modern literary criticism, Mark Royden Winchell gives us not only an account of one man's influence but also a survey of literary criticism in twentieth-century America. More than any other individual, Brooks helped steer literary study away from historical and philological scholarship by emphasizing the autonomy of the text. He applied the methods of what came to be called the New Criticism, not only to the modernist works for which these methods were created, but to the entire canon of English poetry, from John Donne to William Butler Yeats. In his many critical books, especially The Well Wrought Urn and the textbooks he edited with Robert Penn Warren and others, Brooks taught several generations of students how to read literature without prejudice or preconception.

In this volume Cleanth Brooks pays tribute to the language and literature of the American South. He writes of the language's unique syntax and its celebrated languorous rhythms; of the classical allusions and Addisonian locutions once favored by the gentry; and of the more earthbound eloquence, rooted in the dialect of England's southern lowlands, that is still heard in the speech of the region's plain folk. It is this rich spoken language, Brooks suggests, that has always been the life blood of southern writing. The strong tradition of storytelling in the South is reflected in the tales told by Joel Chandler Harris's Uncle Remus and in the obsessive retellings that structure William Faulkner's novels and stories. But even more crucially, the language of the South--firmly rooted in the land but with a tendency to reach for the heavens above--has shaped the literary concerns and molded the complex visions to be found in the poetry of Robert Penn Warren and John Crowe Ransom; the stories of Flannery O'Connor, Peter Taylor, and Eudora Welty; and the novels of Warren, Allen Tate, and Walker Percy.

As the last collection of Cleanth Brooks's essays before his death, Community, Religion, and Literature represents his final, considered views on the reading of literature and the role it plays in our society. He argues that the proper and essential role of literature lies in giving us our sense of community. Yet he denounces the extent to which literature, too, is now being usurped by the critics who see writing as pure language. He believes that just as religion renders truth of another sort, so literature is an expression of the "truth about human beings." More and more in this age of science, literature has "assumed the burden of providing civilization with its values." Community, Religion, and Literature offers students of literature the opportunity to understand what Cleanth Brooks was actually saying, rather than what others have said he was saying.

A collection of letters exchanged by two of the 20th century's most distinguished literary figures, depicting their remarkable professional and personal relationship over the years. They respond to the writings and activities of writers including T.S. Eliot, William Faulkner, and Robert Lowell, and offer insight into the group dynamics of the Agrarians, the community of Southern writers who played an influential role in the literature of modernism. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR