While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth and legend. Each entry includes a brief account of the myth, with reference to the Greek and Latin sources. The entry then discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed the allegory in their art. Each entry includes a bibliography and the volume concludes with appendices and an extensive bibliography of primary and secondary sources.

In June 2012, scholars from a number of disciplines and countries gathered in Stockholm to discuss the representation of ancient mythology in Renaissance Europe. This symposium was an opportunity for the participants to cross disciplinary borders and to problematize a well-researched field. The aim was to move beyond a view of mythology as mere propaganda in order to promote an understanding of ancient tales and fables as contemporary means to explain and comprehend the Early Modern world. W ...

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.

First Published in 2005. This classic work presents sixteen key myths and legends of the Arthurian, Carolingian, Teutonic and Scandinavian cycles which embody the chivalric code and which inspired the greatest works of romance literature and art. Some, like Tristan and Isolde, Merlin and the Niebelungenlied, are well known. Others, such as the tale of the Amelings and the Langobardian Cycle are rarely encountered. All of the tales and the tourneys, quests, vows, battles and betrayals of which they tell have retained their enchanting power through the ages. They illuminate the mystical significance of knighthood and its ethos of self-purification and honour, allowing us to decode many of the allusions found in medieval art, literature and song. Written for the general reader with captivating style, this work makes the lore of the chivalric Middle Ages accessible and enriches our understanding of a magnificent age.